2022's most anticipated TV finale

2022's most anticipated TV finale

How a 'very simple story' became a number one TV hit

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Peggy Ahwesh at Kunsthall Stavanger

February 24 – May 29, 2022

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Amelie von Wulffen at Galerie Meyer Kainer

April 8 – May 21, 2022

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Postcards from Ellsworth

Ellsworth Kelly, Having The Time Of My Life, 1998. Ellsworth Kelly Foundation, courtesy of Matthew Marks Gallery.

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Several years ago, moving into an old but new-to-me apartment with bare white walls, I tacked a poster-size sheet of heavy paper above my desk. Over time, I began to randomly pin found photographs and scraps of stories and poems to this sheetincluding a couple of reproductions of Ellsworth Kelly postcards, which I’d torn out of magazines. Every so often, my eyes would stray upward, and these flashes of color would slide into view. I had not thought of them again until very recently, when I heard of an exhibition curated from the four hundred postcards Kelly made and mailed at various points during his seven decades of making art.

I did not think much then about why they appealed to me. Some of the other images on my board were actual found photographs, as in ones I found on the street, including a glossy, black-and-white roadside image of a crime scene, probably photographed by highway patrol, then ripped in half. Like the collages I sometimes made on notebooks containing my first drafts, none of these pictures were meant as literal inspiration; they were just references for daydreaming, vague and strange enough that they might compel some unexpected sentence or train of thought.

In one of the Kelly postcards I’d pinned up, four irregular squarish panels of slightly diluted shades of blue, yellow, green, and red are pasted like a scrim over a landscape of a mountain and lake. They reminded me of endless things, like Baldessari dots that simultaneously redirect the eye elsewhere and draw it back to the point of obfuscation, piquing curiosity about what it conceals. In their pure arrangement of color, the postcards were pleasingly like the faded multicolored flags that flutter over used car lots, like the surprise patterns and colors of paint that emerge on adjacent boarded-up windows when old city buildings are torn down. They were both curtains and windows, shielding what lay behind them and opening into something else.

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Clipboard, 2022

 

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After Gareth steps down… Pardew?

Marcus, Luke and Pete recap a tough night for Rangers as their European adventure comes to a bitter end. STOP BRINGING PLAYERS ON FOR PENALTIES! 


We also turn our attentions to two former men of this sleazy parish, as José Mourinho fires up the Roma faithful and Alan Pardew joins us from his Sofia bungalow. Single bed, thankfully.


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How fear shaped ancient mythology

How fear shaped ancient mythology

The goddesses who broke the rules of sex and power – and embodied our anxieties

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Frequencies at Radio Athènes & Melas Martinos, Athens

March 3 – May 22, 2022

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Max Neuhaus at suns.works

May 5 – June 6, 2022

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Get me to the Redmond

Marcus, Luke and Jim are here to look ahead to the climax of a cracking title race, as Liverpool’s charge was almost derailed by Pep’s sleeper agent, Nathan Redmond.


We also bring you a Wagatha Christie update, as Wayne Rooney remains as clueless as us, while Nottingham Forest are one game away from history!


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