Sorry lads, it’s too close to North Korea

Marcus, Luke and Pete check in with the transfer merry-go-round as players are flung off it left and right. Various Crystal Palace defenders head for the door, while Ivan Toney’s definitely leaving Brentford - doesn’t even matter where he ends up, nobody knows anyway.


Elsewhere, Aaron Ramsdale tries to avoid repeating the exact situation he’s in right now and we get more info on Jürgen Klinsmann’s reign of terror while USMNT boss.


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We're back on stage and there aren't many tickets left! Join us at London Palladium on Friday September 20th 2024 for 'Football Ramble: Time Tunnel', a journey through football history like no other. Get your tickets at footballramblelive.com!


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Richard Deacon at Galerie Thomas Schulte

June 29 – August 24, 2024

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Hou Zichao at Spurs Gallery

July 13 – August 25, 2024

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Hearing from Helen Vendler

Helen Vendler in her home in Cambridge. Photograph by Stephanie Mitchell.

Earlier this year, the visionary poetry critic Helen Vendler died at the age of ninety. After her death, the writer and psychoanalyst Christopher Bollas—author of  The Shadow of the Object, Cracking Up, and Meaning and Melancholia, among many others—collected a correspondence between himself and Vendler that unfolded over email during the last two years of her life, which began as Vendler was clearing out her office at Harvard in 2022. These emails, which have been selected and edited by the Review (with spelling and punctuation left unchanged), touch on the relationship between psychoanalysis and poetry; the experience of aging in all its forms; and the growth of a friendship, and understanding, between Bollas and Vendler. 

 

January 22, 2022

Dear Christopher Bollas,

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Blink Twice review: 'Stylish and savage'

Blink Twice review: 'Stylish and savage'

Zoe Kravitz's directorial debut has "smart ideas" – does it work as a thriller?

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Strikers are lava

Lars is on the pod! Lars is on the pod! Just like João Félix at Chelsea Lars Sivertsen has returned and he joins Marcus and Pete on today’s Ramble.


Lars makes a strong start as he instantly labels Chelsea’s transfer policy as “mental”. Elsewhere Pete speculates on the colour of Jamie Vardy’s guts and Lars digs out his rulebook after we hear about a player in Peru who got sent off because he took a piss at the side of the pitch.


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We're back on stage and tickets are out NOW! Join us at London Palladium on Friday September 20th 2024 for 'Football Ramble: Time Tunnel', a journey through football history like no other. Get your tickets at footballramblelive.com!


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How Espresso became the song of the summer

How Espresso became the song of the summer

Experts dissect why Sabrina Carpenter's disco bop has dominated the season

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David Medalla at Hammer Museum

June 9 – September 15, 2024

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Ivana Bašić at Schinkel Pavillon

June 7 – September 1, 2024

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Self-Portrait in the Studio

All images courtesy of the author.

A form of life that keeps itself in relation to a poetic practice, however that might be, is always in the studio, always in its studio.

Its—but in what way do that place and practice belong to it? Isn’t the opposite true—that this form of life is at the mercy of its studio?

***

In the mess of papers and books, open or piled upon one another, in the disordered scene of brushes and paints, canvases leaning against the wall, the studio preserves the rough drafts of creation; it records the traces of the arduous process leading from potentiality to act, from the hand that writes to the written page, from the palette to the painting. The studio is the image of potentiality—of the writer’s potentiality to write, of the painter’s or sculptor’s potentiality to paint or sculpt. Attempting to describe one’s own studio thus means attempting to describe the modes and forms of one’s own potentiality—a task that is, at least on first glance, impossible.

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