Gang Members Arranged Return of Stolen Gottfried Lindauer Paintings from New Zealand Gallery In Secret Prison Deal

Two paintings by Gottfried Lindauer, valued around $490,000 US ($800,000 NZD) that were stolen in 2017 were returned to police through a secretive deal arranged by senior gang members, the New Zealand Herald reported Wednesday.

The Māori portraits, Chieftainess Ngatai-Raure and Chief Ngatai-Raure, were painted by the Czech-New Zealand artist in 1884. The art works were stolen from the International Art Centre gallery and auction house in a “smash-and-grab” incident in April 2017, only a few days before they were to be sold.

The thieves reversed a stolen van into the front window of the gallery and auction house before loading the two paintings into a white Holden Commodore SSV sedan.

The paintings were two examples of Lindauer’s prolific portrait work featuring Māori subjects, ranging from leaders to ordinary people. In March, an auction for a portrait of Harawira Te Mahikai, chief of the Ngāti Kahungunu Tribe, sold for nearly $615,000 US including fees ($1,009,008 NZD).

Last December, New Zealand police announced that Chieftainess Ngatai-Raure and Chief Ngatai-Raure had been returned with only minor damage. According to the Herald, police were “deliberately vague” in providing details on what happened to the portraits, referring only to “an intermediary who sought to return the paintings on behalf of others” to the artworks’ owners.

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Justin Chance’s Wool Quilts are Catchalls for Curiosity

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My pieces begin as titles. Titles come to me when I’m washing dishes, or running, or showering. A recent example is Aloha Sadness (2023): I thought, That’s so dumb, but also so real. Aloha means goodbye, but also hello. I asked what would Aloha Sadness look like? I did a little research—looked up tiki culture, watched Lilo & Stitch, played that song “Hawaiian Roller Coaster Ride” in the studio.

I’m driven by curiosity, and I can get interested in literally anything. I’m less interested in judging whether something is good or bad, right or wrong, than I am in asking, What is this thing? Why is this thing? Exhibitions are a helpful way of focusing my curiosity. I can point to one and say, “That’s my oceanography era,” or that’s my how-TVs-work era.

For me, “artist” is kind of like a catchall term. Takashi Murakami’s 2008 exhibition at the Brooklyn Museum drew me to art. He was making mugs, pins, paintings… I thought, Maybe I could do one of those. I’m also a writer, but there’s something about the authority of language that feels daunting, whereas in art there’s more wiggle room.

The title of my recent show at Tara Downs gallery in New York was “Live,” and I left it deliberately unclear as to whether I meant the noun or the verb. I wanted to permit the viewer/reader to take it however they want. There’s something beautiful about the state of not-knowing, and I want my viewers to feel curious. I never want it to be, “I’m the artist, listen to me.”

I started making my quilt works in 2013, hoping to combine my love for making with my interest in painting. I wanted to be able to physically pick up colors and move them around. I also love learning how things work, down to the molecular level. If you’re dyeing something, you have to ask, Is this a cellulose fiber or is it a protein fiber? Some pieces incorporate resist dyes using wax. Since wax is nonpolar and water is a polar molecule, the two materials don’t interact.

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Molly

If you are contemplating self-destruction, please tell someone you trust. Immediate counseling is available 24-7 by dialing 1-800-SUICIDE or 988.

 

A Sunday afternoon in early spring. We’d spent the morning quiet, in separate rooms—me in my office, writing; Molly on the bed in the guest room, working too, so I believed. I’d pass by and see her using her laptop or reading from the books piled on the bed where she lay prone, or sometimes staring off out through the window to the yard. It was warm for March already, full of the kind of color through which you can begin to see the blooming world emerge. Molly didn’t want to talk really, clearly feeling extremely down again, and still I tried to hug her, leaning over the bed to wrap my arms around her shoulders as best I could. She brushed me off a bit, letting me hold her but not really responding. I let her be—it’d been a long winter, coming off what felt like the hardest year in both our lives, to the point we’d both begun to wonder if, not when, the struggle would ever slow. I wished there could be something I might say to lift her spirits for a minute, but I also knew how much she loathed most any stroke of optimism or blind hope, each more offensive than the woe alone. Later, though, while passing in the hallway in the dark, she slipped her arms around me at the waist and drew me close. She told me that she loved me, almost a whisper, tender, small in my arms. I told her I loved her too, and we held each other standing still, a clutch of limbs. I put my head in her hair and looked beyond on through the bathroom where half-muted light pressed at the window as through a tarp. When we let go, she slipped out neatly, no further words, and back to bed. The house was still, very little sound besides our motion. After another while spent working, I came back and asked if she’d come out with me to the yard to see the chickens, one of our favorite ways to pass the time. Outside, it was sodden, lots of rain lately, and the birds were restless, eager to rush out of their run and hunt for bugs. Molly said no, she didn’t want to go, asked if I’d bring one to the bedroom window so she could see—something I often did so many days, an easy way to make her smile. I scooped up Woosh, our Polish hen, my favorite, and brought her over to the glass where Molly sat. This time, though, when I approached the window, Molly didn’t move toward us, open the window, as she would usually. Even as I smiled and waved, holding Woosh up close against the glass, speaking for her in the hen-voice that I’d made up, Molly’s mouth held clamped, her eyes like dents obscured against the glare across the dimness of the room. Woosh began to wriggle, wanting down. The other birds were ranging freely, unattended—which always made me nervous now, as in recent months a hawk had taken favor to our area, often reappearing in lurking circles overhead, waiting for the right time to swoop down and make a meal out of our pets. So I didn’t linger for too long at the window, antsy anyway to get on and go for my daily run around the neighborhood, one of the few reasons I still had for getting out of the house. I gripped Woosh by her leg and made it wave, a little goodbye, then hurried on, leaving Molly staring blankly at the space where I’d just been: a view of a fence obscured only by the lone sapling she’d planted last spring in yearning for the day she wouldn’t have to see the neighbors. 

*** 

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On The Continent: The end of an era edition

Dotun and Andy are joined by France football expert Jonathan Johnson for the most farewells we’ve ever had on OTC!


We discuss whether Zlatan Ibrahimović really leaves behind legendary status at any of his clubs, the reasons behind Karim Benzema’s sudden Real Madrid exit, and just how Lionel Messi will be remembered in Paris after what Jonathan argues has been two seasons of regression. At least Neymar (aka Barney Gumble) is still there though…


Plus, the small matter of this weekend’s Champions League finale!


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Ramble Reacts: The Trophyman

David Moyes embodied the spirit of Steve Bruce celebrating on Fifa as the Ferryman became the Trophyman thanks to West Ham’s first European trophy in 58 years.


Marcus, Jim and Andy are here to revel in a glorious evening for the Hammers. But is it time for Moyes to sail off into the sunset with his trophy in hand?


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The Action of Love: A Conversation with Charif Shanahan

Charif Shanahan and Morgan Parker. Photographs by Rachel Eliza Griffiths.

I read Charif Shanahan’s Trace Evidence two ways: first as a new work by a friend, written through and about what I know to have been some of his most harrowing years, during which he recovered from a near-fatal bus accident in Morocco, and also as the second collection of a phenomenal early-career poet with a dangerously skilled command of craft. I read it as an intimate reader, and as a distant one, and both times, I experienced a sense of introduction. When we talked on Zoom, Charif told me the book “feels like a birth,” and that feeling of birth, or rebirth, permeates Trace Evidence, as a deepening and an extension of the questions in Shanahan’s first collection, and as an announcement of self and purpose that feels brand new.

—Morgan Parker

PARKER

I love the last line of “Trace Evidence,” the book’s titular poem: “For us here now I will be the first of our line.” It’s such an exhilarating sentence. Can you tell me about that idea of deciding to be a beginning?

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The Football Ramble’s Guide To… Inter’s Treble Winners

The A-Team, the Expendables, the Inglorious Bastards.


José Mourinho’s treble-winning Inter side were a rag-tag bunch of disillusioned stars, but united by the most powerful combination football has ever seen: determination, plenty of skill, PLENTY of Argentinian barbecues, the power of volcanoes, and a huge chip on their shoulder!


Ahead of Saturday’s final, we look back on one of the most remarkable club seasons of the 21st century.


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The Green and the Gold

Photograph by Sheila Sund. Courtesy of Wikimedia Commons, licensed under CCO 2.0.

Four weeks sharing a room in San Francisco, four weeks since I decided not to go back to England. Gabe wasn’t sleeping. A quarter tab of acid for his breakfast. Spliffs throughout the day, booze and blue raspberry C4 preworkout all through the night. He was recording an album, working on his set, making a website, building a 24-7 open-source radio live-stream at a free hackers’ space, and not finishing anything.

I was trying to write but spending a lot of time crying on the hot roof of the apartment building when he wasn’t around. He found me up there one afternoon at the end of one of his twelve-hour stints at the hackers’ space. Two straw hats, a beer, two cups. “I know you like to drink out of little cups!” He smiled and the inside of his mouth was blue from the raspberry preworkout. How do you hate someone as much as you love them? He said he’d been looking for me because he had a great plan. A childhood friend in the city was driving down to their hometown and we could get a ride. I could meet Gabe’s parents; go to the beach; see the fields, wildflowers, and back roads. So beautiful this time of year. I wondered if it might save us. “It’s God’s country,” he said.

We arrived at his parents’ the following morning, after a four-hour drive south. A low ranch-style house on a wide road of low ranch-style houses. Gabe said it was too nice a day to be stuck inside, so he took me around the side and we climbed straight up onto the roof: “I know you like roofs in California!” I did like roofs in California. The front and back yards of gravel, wood chip, and pebbles, interspersed with the occasional palm tree or redwood. At the end of the road was the main street, a couple of stores, a steak house, and a taqueria. Beyond, fields of lemon trees and mustard grass and farmland that stretched a few miles inland, up to a range of golden hills. Above us, the sun shone like the grill of a new truck.

The house was full of knickknacks and shells and crystals and string lights. A “Be Grateful” sign by the coffee maker. A “Be Grateful” mat by the front door. A canvas in the kitchen printed with a picture of three fluffy ducklings and the words “I have joy down in the bottom of my heart.” It was hard to make out how many cats there were. And then Birdie, the overweight chihuahua, waddled in from the hallway and charged at Gabe, baring his red gums and gnashing tiny, pointed teeth. Gabe told me the dog was the spawn of the devil and the root cause of all the issues that existed between him and his parents. I already knew that the issues between Gabe and his family had begun when Gabe had gone to college in Santa Cruz five years before, found drugs, wouldn’t get a real job, and kept having to move back home when he ran out of money.

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Phil Neville at Inter Miami: A Tribute

To mark the end of one of football’s greatest managerial eras, Marcus brings you a selection of his favourite Ramble moments provided by Phil Neville’s Inter Miami.


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The Ramble: Saturday Night’s Alright for Fighting

Man City might be one step closer to the treble, but Pep Guardiola’s celebration was the worse thing we’ve ever seen on the Wembley touchline.


Marcus, Vish and Jim expose news of a shocking punch-up between Elton John and Pep, put a red lightsaber in Harry Kane’s hand, and bid farewell to Zlatan! We thought it would never end!


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