Scene from Mabou Mines Peter and Wendy with Karen Kandel. Photograph taken by Richard Termine.
I remember reading Peter Pan as a kid, a version based on the 1953 Disney movie—based on J. M. Barrie’s story. It turned me on. I’m six or seven, and I’m flipping through the pages, and there’s a picture of Peter with his arms crossed and his back to Wendy. He’s angry with her for some reason, and it turned me on. The words, the image, the anger? All of it, some kind of thrill-ball a kid has no words for.
All kinds of people become aroused, in one way or another—when we’re children and when we’re old. It doesn’t start or stop. Aliveness is erotic, the senses awakened. Everyone knows kids get turned on by this thing or that thing without instruction by adults. If you want to know why people lie about this fact and pretend that children—and often female humans along with them—start out sexually “innocent,” I can refer you to Nietzsche, who blames Christianity. Sexual feeling is anarchic, sudden, and sometimes inconvenient. It can’t really be contained.
What to call the feelings you don’t have words for? A kind of fainty, oh my God what is this sensation I wouldn’t have spoken about. It wasn’t because I was masturbating. I didn’t learn to masturbate, so I could come, until after I’d had sex. I’m twenty, maybe, when one day I say to myself, “If he can do that, so, probably can you.”
As a child, I wouldn’t have spoken about my “funny feelings” perhaps because shame moves in early. Also, in childhood, secrecy is all we have—our private inner lives—in a world where adults control so much of us. Maybe, as children, we keep arousal to ourselves because we don’t want anyone tampering with our pleasure. Also, in childhood, there’s no end of feelings we don’t have language to describe—grief, fear, and anxiety about things we anticipate, come to mind. Secrets are sexy.