Artist Faith Ringgold, whose seven-decade career encompassed bestselling children’s books, incisive activism, and work in an astonishing array of mediums, and culminated with the kind of mass international acclaim that was long denied to Black visual artists and women artists like her, died on Saturday at her home in Englewood, New Jersey. She was 93.
Her death was announced by her longtime New York representative, ACA Galleries, which did not specify a cause.
Just one aspect of Ringgold’s remarkable life would have been enough to secure her place in history, but it was her action-packed, richly detailed painted quilts for which she was best known. Her most famous was Tar Beach (1988), which tells the story of an 8-year-old girl, Cassie Louise Lightfoot, who flies from the roof of her Manhattan apartment building into the night sky. In 1991, it was adapted into a children’s book that has become a staple of elementary school classrooms in the United States.
Ringgold made fabric part of her practice after seeing Tibetan thangkas at the Rijksmuseum in Amsterdam, but quilting had deep roots in her family. Her great-great-great-grandmother, who was enslaved in the South, quilted, she said. Her mother, Willie Posey Jones, a fashion designer, helped her sew early on, and Ringgold would go on to use the process to chart her travels, her love of art history, the horrors of the Middle Passage, and a great deal more.
With mordant humor and a joyful flare for invention, Ringgold also made vivid dolls and unforgettable political posters, staged performances, and wrote. We Flew Over the Bridge: The Memoirs of Faith Ringgold was published in 1995.
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