Players who regretted leaving or asked to return to Arsenal

Now managing at Feyenoord, Robin van Persie is back in the spotlight.

With Manchester United hosting Arsenal on Sunday, the media used his Champions League press conference to ask the former striker to choose between his two former clubs: the one where he did his best work or the place where he earned the Premier League medal his talent deserved. Understandably, the 41-year-old was diplomatic, not wanting to disrespect either fanbase, so he refrained from picking between Thierry Henry and Wayne Rooney or Arsène Wenger and Sir Alex Ferguson.

It’s fair to say that he would be welcomed back at Old Trafford more than at the Emirates. That, of course, could have happened had our draw for the last 16 in Europe gone differently. Our ex-captain made it clear that he enjoyed watching the Gunners’ 7-1 win over PSV, as he continues to mend a few broken fences with Arsenal fans. When recounting his transfer to Manchester United, Wenger added that if his former skipper had his way, he would have returned to North London in 2015. This influenced my next list: players who either verbally expressed regret about leaving Arsenal or asked to return.

Keown – Aston Villa

While technically the defender was motivated by money, he maintains that his principles led to the end of his first stint at Highbury. Considering the dispute was over £50, I believe him. Although it seems the club could have handled the situation better. Having graduated from the academy, the centre-back had a verbal agreement with Don Howe over terms for a contract extension. When Arsenal changed managers to George Graham, the Invincible felt disrespected by the change in deal. Despite it being only a £50 difference from what he had requested, he felt it was a sign that he wasn’t trusted by his new boss and that his employers were taking advantage of him, as he came from the youth setup.

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Arsenal facing serious competition from Tottenham for versatile attacker

Antoine Semenyo has been one of the standout players at Bournemouth this season, with his form capturing the attention of several top clubs, including Arsenal. The Ghanaian forward has been a key figure in Bournemouth’s impressive performances, as the team has exceeded expectations this campaign. Semenyo’s skill and contributions have made him one of the most sought-after players, and it is clear that his future may lie away from the South Coast club.

Arsenal are reported to be keen on adding Semenyo to its squad, particularly as it looks to revamp its attack at the end of the season. The Gunners have been monitoring his performances closely, recognising his potential to provide depth and quality to their forward line. However, Arsenal will not have a clear run at signing Semenyo, as their North London rivals, Tottenham Hotspur, are also interested in securing his signature.

Tottenham are preparing to make its move for the winger, with reports suggesting that they will put forward an offer worth €40 million to see if Bournemouth are willing to sell. A report from Caught Offside indicates that Spurs are keen to test the waters with this initial offer to determine whether the Cherries will accept a deal at that price. While it is unclear whether €40 million would be enough to convince Bournemouth to part with Semenyo, it is evident that Tottenham are serious about its pursuit of the player.

In light of this, Arsenal must act quickly and decisively if they are to secure the Ghanaians’ signature. Semenyo’s potential has already attracted significant interest, and Spurs’ move for the player demonstrates that they are prepared to compete fiercely for top talent. Arsenal will need to ensure they make an attractive offer, or they risk losing out to their rivals.

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Égrégore at Galerie Chantal Crousel

February 8 – March 8, 2025

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Égrégore at Galerie Chantal Crousel

February 8 – March 8, 2025

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Nothing is Permanent at Galerie Fons Welters

January 18 – March 8, 2025

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Nothing is Permanent at Galerie Fons Welters

January 18 – March 8, 2025

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Juan Hamilton, Protégé and Beneficiary of Georgia O’Keeffe, Died at 79

Juan Hamilton, an artist, caretaker, and protégé of renowned painter Georgia O’Keeffe and the sole beneficiary of her will, died in his Santa Fe, New Mexico home on February 20 at 79 years old.

He died from complications related to a subdural hematoma, which occurred several years ago, according to his wife Anna Marie Hamilton.

Born John Bruce Hamilton on December 22, 1945, in Dallas, Texas, he grew up in Ecuador, Colombia, and Venezuela, the child of parents Alan and Claire (Kitzmiller) Hamilton, who served as Presbyterian missionaries. During this time, he adopted the name Juan and began learning how to work with clay from local potters.

Hamilton lived between Manhattan’s Upper West Side and Glen Rock, New Jersey in high school, and earned a bachelor’s degree in studio art from Hastings College in Nebraska, and later studied sculpture at Claremont Graduate University in California.

At 27, Hamilton was a divorced potter and handyman at the sprawling Ghost Ranch property, owned by the Presbyterian Church, where 85-year-old O’Keeffe resided. After knocking on the door and asking for odd jobs, she had him pack a shipping crate—and thus began a decade-long, scandalous relationship.

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Juan Hamilton, Protégé and Beneficiary of Georgia O’Keeffe, Died at 79

Juan Hamilton, an artist, caretaker, and protégé of renowned painter Georgia O’Keeffe and the sole beneficiary of her will, died in his Santa Fe, New Mexico home on February 20 at 79 years old.

He died from complications related to a subdural hematoma, which occurred several years ago, according to his wife Anna Marie Hamilton.

Born John Bruce Hamilton on December 22, 1945, in Dallas, Texas, he grew up in Ecuador, Colombia, and Venezuela, the child of parents Alan and Claire (Kitzmiller) Hamilton, who served as Presbyterian missionaries. During this time, he adopted the name Juan and began learning how to work with clay from local potters.

Hamilton lived between Manhattan’s Upper West Side and Glen Rock, New Jersey in high school, and earned a bachelor’s degree in studio art from Hastings College in Nebraska, and later studied sculpture at Claremont Graduate University in California.

At 27, Hamilton was a divorced potter and handyman at the sprawling Ghost Ranch property, owned by the Presbyterian Church, where 85-year-old O’Keeffe resided. After knocking on the door and asking for odd jobs, she had him pack a shipping crate—and thus began a decade-long, scandalous relationship.

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Nvidia CEO’s Foundation Rescues Ailing California College of the Arts with $45 M. Boost

San Francisco’s California College of the Arts (CCA) has secured short-term financial stability through a $45 million fundraising campaign, alleviating an urgent budget deficit that had prompted fears of layoffs and a potential merger.

The campaign’s success hinged on a matching gift from the Jen-Hsun and Lori Huang Foundation, which doubled the $22.5 million raised by over 50 donors, including trustees, former board members, and alumni. Jen-Hsun “Jensen” Huang, Nvidia’s cofounder and CEO, structured his contribution to encourage broader support.

CCA’s financial struggles emerged after a one-third drop in enrollment since 2019, contributing to a $20 million budget gap. In response, the institution cut 23 jobs—10 percent of its staff—and eliminated open positions totaling an additional 4.5 percent of staff roles. This turbulence coincided with the completion of a $123 million campus expansion, designed by Studio Gang, which added 82,300 square feet of studios, classrooms, and exhibition space.

Adding to CCA’s woes, the school recently settled a lawsuit with former faculty member J.D. Beltran, who alleged wrongful termination after exposing financial mismanagement. Among her claims was the disappearance of nearly $180,000 in earmarked funds for the Center for Art and Public Life.

Despite the school’s proximity to Silicon Valley, CCA’s board has limited tech representation, with just two members from the sector. The board is led by Lorna Meyer Calas of Merrill Lynch and Calvin B. Wheeler of Kaiser Permanente. The institution remains highly dependent on tuition and housing revenue, which account for 85 percent of its $75 million operating budget. Its $40 million endowment generates just $2 million annually. Enrollment stood at 1,400 in fall 2023 and is projected to drop to 1,250 this year.

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Nvidia CEO’s Foundation Rescues Ailing California College of the Arts with $45 M. Boost

San Francisco’s California College of the Arts (CCA) has secured short-term financial stability through a $45 million fundraising campaign, alleviating an urgent budget deficit that had prompted fears of layoffs and a potential merger.

The campaign’s success hinged on a matching gift from the Jen-Hsun and Lori Huang Foundation, which doubled the $22.5 million raised by over 50 donors, including trustees, former board members, and alumni. Jen-Hsun “Jensen” Huang, Nvidia’s cofounder and CEO, structured his contribution to encourage broader support.

CCA’s financial struggles emerged after a one-third drop in enrollment since 2019, contributing to a $20 million budget gap. In response, the institution cut 23 jobs—10 percent of its staff—and eliminated open positions totaling an additional 4.5 percent of staff roles. This turbulence coincided with the completion of a $123 million campus expansion, designed by Studio Gang, which added 82,300 square feet of studios, classrooms, and exhibition space.

Adding to CCA’s woes, the school recently settled a lawsuit with former faculty member J.D. Beltran, who alleged wrongful termination after exposing financial mismanagement. Among her claims was the disappearance of nearly $180,000 in earmarked funds for the Center for Art and Public Life.

Despite the school’s proximity to Silicon Valley, CCA’s board has limited tech representation, with just two members from the sector. The board is led by Lorna Meyer Calas of Merrill Lynch and Calvin B. Wheeler of Kaiser Permanente. The institution remains highly dependent on tuition and housing revenue, which account for 85 percent of its $75 million operating budget. Its $40 million endowment generates just $2 million annually. Enrollment stood at 1,400 in fall 2023 and is projected to drop to 1,250 this year.

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