Arsenal outcast agrees with Arteta’s decision to drop him

Kieran Tierney insists he has no hard feelings towards Mikel Arteta, despite being dropped from the Arsenal team.

When Tierney first joined Arsenal, he was considered one of the best left-backs in the Premier League, and he was also useful to Arteta when the manager first joined the club.

However, Arteta wanted an inverted full-back, and Tierney struggled to adapt to the new demand.

When Arsenal secured Oleksandr Zinchenko’s signature, it marked the end of Tierney’s time at the club.

After spending most of last season on the bench, the defender is now on loan at Real Sociedad for this season.

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Mikel Arteta admits he must “seek excellence” as the only way to match Klopp and Guardiola

The Arsenal manager recently discussed how Jurgen Klopp and his former mentor, Pep Guardiola, have served as sources of inspiration for him in his quest to bring his team back to the top.

He credits the two with being the driving force behind his success in leading Arsenal back to the top and challenging for trophies. As for him, feeling the pressure to compete with the two top coaches and wanting to come out on top has kept him going. He is determined to lead Arsenal to Premier League glory, a feat that the club hasn’t achieved in the past two decades.

“It’s a challenge, but at the same time, it’s very inspiring,” Arteta said about his firecest rivals. “When you have two of the best managers in the world [Pep Guardiola and Jurgen Klopp] with two huge clubs, competing and facing them in their eyes and willing to be better than them, you learn from it.

“You challenge yourself and seek excellence because it’s the only way to try to beat them.

“We are so lucky that we are fighting to win major trophies. The outcome is going to be decided by small details, but with that journey, you have to really embrace and enjoy the moment.

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Arsenal & England Women defender, Lotte Wubben-Moy, nominated for top WSL award

Arsenal Women and Lionesses’ formidable defender, Lotte Wubben-Moy, has earned a well-deserved nomination for the prestigious Barclays Women’s Super League Player of the Season accolade.

Throughout the current campaign, 25 year old Lotte has showcased her defensive prowess in 18 WSL appearances, triumphing in 13 matches while maintaining five clean sheets and netting a goal.

Notably, her offensive contributions have surged, evident in her record-breaking 134 progressive passes this season, marking a career high. Furthermore, her defensive performance has soared to new heights, evidenced by an increased number of tackles and blocks compared to her previous WSL campaigns.

Lotte played her way into Arsenal Women’s starting XI, after the departure of Brazilian centre-back, and the unfortunate ACL injury suffered by Lioness captain and Arsenal centre-back, Leah Williamson. Lotte has also played her way into Sarina Wiegman’s Lionesses starting XI, scoring the opener in the Lionesss 5-1 romp over Italy in February.

Lotte is also very active in the Arsenal community and received a fitting tribute, on International Women’s Day, where a vibrant mural showcasing the achievements of the Arsenal and England defender was revealed, when she visited her alma mater, Born and raised in East London, Lotte Wubben-Moy met pupils and engaged in a spirited football session alongside girls at Olgar Primary School in Bow.

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Israel Orders New Rafah Evacuations

Israel on Saturday ordered hundreds of thousands in Rafah to evacuate immediately as Israeli military forces prepared to expand further into Gaza’s southernmost city amid a devastating humanitarian crisis. The warning, which arrived in the form of dropped leaflets, came despite a rare threat from President Biden this week that he would withhold certain weapons if Israel advanced further into Rafah. 

At least 300,000 people affected as further areas across #GazaStrip receive new evacuation orders today, both towards central #Rafah in the south AND #Jabalia in north #Gaza@UNRWA estimates 150,000 people have now fled #Rafah since Monday, looking for safety where there's none. pic.twitter.com/9UNfo6b0rW

— UNRWA (@UNRWA) May 11, 2024

More than half of Gaza’s population have fled to Rafah since the start of Israel’s military operations in the north, pushing the densely populated city, which also serves as a critical passageway for transporting aid into Gaza, to a “breaking point.” Now facing an imminent ground invasion, as well as vows by Israeli Prime Minister Benjamin Netanyahu to fight “with our fingernails” if the US follows through on its threat to cut off certain weapons, displaced Palestinians are forced to flee once again. To where, it’s exceedingly unclear, as Gaza’s north has already been decimated by months of bombing.

“The bombing and shelling is incessant,” Bridget Rochios, a certified nurse-midwife from California volunteering at Rafah’s last maternity hospital, told Mother Jones this week. “And there’s nowhere else to go.” Rochios described scenes of horror where basic medical supplies such as gloves and scissors are nearly gone; doctors are forced to use razors to remove umbilical cords; and the lives of 50 newborns in the intensive care unit hang in the balance.

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The Founder of Mother’s Day Mostly Cared About Her Own Mother

It seems like such a simple idea: a day to honor the women who bring life into the world. But  how do we square the ideal of celebrating and supporting mothers with the reality of how lawmakers and courts have acted to undermine maternal health and rights in the post-Dobbs era? Or make sense of all the money Americans spend annually on this one day—a purported $33.5 billion in 2024, according to the National Federation of Retailers, including $7 billion on jewelry and $3.2 billion on flowers—when so many mothers can’t afford food, housing, or health care? 

Anna Jarvis, who launched the Mother’s Day movement in 1908 in honor of her own remarkable mother, would have had very complicated feelings about what the day has become, says Katharine Lane Antolini, associate professor of American history at West Virginia Wesleyan College and author of Memorializing Motherhood: Anna Jarvis and the Struggle for Control of Mother’s Day. Jarvis’s vision was childlike in its sentimentality, Antolini says: “To her, this was supposed to be the one day out of the year when you were just grateful for your mother.” But there was nothing sentimental about the way she fought to preserve that vision, whether she was battling the floral industry, Big Candy, or well-intentioned maternal health charities and the powerful people who supported them. I spoke with Antolini from her campus office in Buckhannon, West Virginia, about 40 minutes from the International Mother’s Day Shrine and Jarvis’s childhood home.

How did the idea of a day to honor mothers become such a focus of Anna Jarvis’ life?

The story of Mother’s Day really goes back to her mother, Ann Reeves Jarvis, who was a well-known social activist and community organizer during her time. They lived in the part of Virginia that split off during the Civil War to become West Virginia, part of the Union. Mrs. Jarvis had 13 children, only four of whom lived to adulthood. Anna, who was born in 1864, was the oldest surviving daughter. She never married or had children. She was never a mother herself. And that, I think, is an important part of her story.

In the 1850s, before Anna was born, it was very common for mothers in this part of Appalachia to die in childbirth and for babies to die. Poor sanitation was a major cause of death. Mrs. Jarvis organized what she called Mothers’ Day Work Clubs, where women would come together to educate themselves on issues of sanitation: what to do with sewage, where to put your outhouse so it wouldn’t contaminate your water supply or the milk from your cows. If there was a mini epidemic, they would help quarantine a family, bring them food, and help care for the sick. Mrs. Jarvis believed in a proactive kind of motherhood—in the book, I refer to it as “social motherhood,” where being a mother does not just mean taking care of your own children. You are caring for your community of children. By the time of the Civil War, these clubs were so well known that, according to local legend, a Union colonel asked Mrs. Jarvis if she could help the Union camps stop the outbreaks of disease that were killing so many soldiers. So, according to the story, Mrs. Jarvis organized mothers to help care for and stop the spread of diseases in the camps. 

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Mailbag: Should a player's success be defined by trophies?

Harry Kane has gone another season without winning a trophy. Today, Marcus tries to convince Luke and Jim that a trophyless career wouldn’t tarnish Kane’s legacy - he’s always been a romantic, has our Marcus.


Elsewhere, Luke makes the case for Sam Allardyce’s Bolton to return to the Premier League, Marcus shares his plans to stop time-wasting and Jim invents a new strange managerial version of Capture the Flag. It’s the Mailbag!


We're back on stage and tickets are out NOW! Join us at London Palladium on Friday September 20th 2024 for 'Football Ramble: Time Tunnel', a journey through football history like no other. Expect loads of laughs, all your Ramble favourites, and absolutely everything on Pete's USB stick. Get your tickets at footballramblelive.com!


Follow us on TwitterInstagramTikTok and YouTube, and email us here: This email address is being protected from spambots. You need JavaScript enabled to view it..


Sign up to the Football Ramble Patreon for ad-free shows for just $5 per month: patreon.com/footballramble.

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Ownership of Egon Schiele Drawing Lost During Holocaust to Be Decided by New York Court

A 1917 drawing by Egon Schiele is at the center of a restitution case that will soon head to court in New York.

The work in question, Portrait of the Artist’s Wife (1917), depicts Edith Schiele with her hands folded in her lap. The drawing was made a year before both Edith and the artist, both at 28 years old, during the 1918 influenza epidemic. Portrait of the Artist’s Wife is estimated to be worth several million dollars.

The heirs of two Jewish collectors, Karl Mayländer and Heinrich Rieger, have both claimed ownership of the work. Mayländer was a textile merchant; Schiele made at least two portraits of him. Rieger was Schiele’s dentist. Both were killed by the Nazis during World War II, and their respective heirs both claim their relatives lost the work during the Holocaust.

Philanthropist and art collector Robert Owen Lehman Sr., known for heading the Lehman Brothers investment firm through the Great Depression, bought Portrait of the Artist’s Wife from the London gallery Marlborough Fine Art, Ltd. for £2,000 ($5,600) in 1964. He then gifted the piece to his son, the award-winning documentary filmmaker Robert Owen “Robin” Lehman Jr., as a Christmas present. It remained with him until 1972, when Lehman Jr. briefly lost the work during his divorce; when his ex-wife died in 2013, the work was recovered from under her bed. In 2016, Lehman Jr. gifted the work to the Robert Owen Lehman Jr. Foundation.

The trial over the work’s ownership began in Rochester, New York, on Tuesday, with testimony expected to last until the end of May. In his ruling, State Supreme Court judge Daniel J. Doyle will consider circumstantial evidence, decades-old records, and a spotty provenance. Expert witnesses are expected to weigh in, with each party presenting evidence on their behalf.

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Painting Stolen from Chatsworth House 45 Years Ago Discovered at Regional French Auction House

A painting by Eramus Quelliness II stolen more than four decades ago was recently returned to its owner after being spotted at a regional auction house in a southern French town.

Chatsworth House in the English town of Derbyshire had lent A Double Portrait of Sir Peter Paul Rubens and Sir Anthony Van Dyck (1640s) to the Towner Art Gallery for an exhibition focused on works by Anthony Van Dyck, a Flemish Baroque artist.

The oil on wood painting was taken by thieves on May 26, 1979 after a “smash and grab” raid on the gallery’s exhibition. The burglars left several original drawings by Van Dyck that had also been on display and were much more valuable. (Christie’s sold a Van Dyck drawing for $2.1 million in February.)

“Some of the priceless drawings were left and they took this which I suppose looked more expensive,” Alice Martin, head of the Devonshire collections at Chatsworth House, told The Art Newspaper, which first reported the news Friday.

The painting was originally painted in preparation for an engraving and not for display on a wall. After the theft in 1979, it was assumed lost. An art historian spotted A Double Portrait of Sir Peter Paul Rubens and Sir Anthony Van Dyck listed for sale in Toulon, France, and alerted the British country house.

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Steve Bannon Still Isn’t in Prison, but He’s a Little Closer

Steve Bannon’s odds of going to prison ticked up on Friday when DC’s Circuit Court of Appeals rejected an appeal of his 2022 conviction for contempt of Congress. But more than 18 months after a federal district court judge sentenced the former Donald Trump adviser to four months behind bars for blowing off subpoenas from the House’s January 6 committee, Bannon has not yet exhausted his legal options. 

The “War Room” host can still ask the full bench of the DC Circuit to consider his appeal, or petition the Supreme Court. Those are long shots, but a DC Circuit panel said its ruling will not take effect until a week after any further appeals are resolved. That could buy Bannon some time. He also benefits from a ruling by US District Judge Carl Nichols, who, even as he handed Bannon a stiff sentence, agreed to postpone his prison term while Bannon appealed.

Former White House adviser Peter Navarro, by contrast, is serving a four-month sentence imposed in January by US District Court Judge Amit Mehta, after Mehta declined to let Navarro remain free while he appealed. 

Bannon’s continued freedom—much like the delays in Trump’s federal prosecutions caused by the Supreme Court and the rulings of an inept Trump-appointed judge in Florida—is a frustrating reminder that the justice system often functions slowly, or not at all, for rich and politically connected defendants. The Trump and Bannon prosecutions are linked, because Bannon is doubtless trying to stave off imprisonment in the hope that Trump, who pardoned him in another case in 2021, will do so again if reelected. The Washington Post reported that Bannon’s “vociferous support” for Trump’s election fraud lies helped secure the earlier pardon. 

But Bannon, like Trump, has additional legal problems, including some that no president can fix. He faces fraud, money laundering, and conspiracy charges in New York related to the same scheme—which involved raising private funds to build a wall along the US-Mexico border—for which federal prosecutors indicted him in 2020. That case is before Juan Merchan, the same judge overseeing Trump’s ongoing trial for falsifying financial records to hide his alleged payoffs to porn star Stormy Daniels. 

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Christie’s Website Down Due to ‘Security Issue’ Days Before New York Auction Week

The website for Christie’s was taken offline by the auction house on Thursday evening after a “technology security issue” was discovered to be impacting some of its systems.

As of Friday afternoon, the website was still offline. A single webpage was available with the company’s name and a message reading, “We apologise that our website is currently offline. We are working to resolve this as soon as possible and regret any inconvenience.”

In a statement emailed to ARTnews, a spokesperson for the auction house said, “Christie’s confirms that a technology security issue has impacted some of our systems, including our website. We are taking all necessary steps to manage this matter, with the engagement of a team of additional technology experts. We regret any inconvenience to our clients and our priority is to minimize any further disruption. We will provide further updates to our clients as appropriate.”

The news was first reported by the New York Times on Friday at midday, calling the incident a “cyberattack” by hackers, though it was not clear on what that characterization was based.

The incident comes just days ahead of the May sales week in New York, a crucial period for the auctions houses and an important bellwether for the art market. On Tuesday, Christie’s will hold the Rosa de la Cruz Collection evening sale and its 20th/21st Century evening sale, which figure to be its sales of the season. One of the top lots for the latter sale is the Brice Marden diptych Event (est. $30 million–$50 million), apparently being consigned by Richard Schlagman, the enigmatic former owner of Phaidon Press.

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