May 5 – June 6, 2022

March 3 – May 22, 2022

The goddesses who broke the rules of sex and power – and embodied our anxieties

Marcus, Luke and Jim are here to look ahead to the climax of a cracking title race, as Liverpool’s charge was almost derailed by Pep’s sleeper agent, Nathan Redmond.

We also bring you a Wagatha Christie update, as Wayne Rooney remains as clueless as us, while Nottingham Forest are one game away from history!

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Revealing the women composers who have been overlooked

April 21 – May 18, 2022

April 1 – June 18, 2022

The painter Peter Nadin was born in 1954 near Liverpool, the son of a sea captain whose family roots stretch back centuries in northwest England. Nadin studied art at Newcastle University and moved to New York in 1976, a time of deep, consequential flux in the city’s art world, when the dominant movements of Minimalism and Conceptualism were giving way to new forms of experimentation, including a rebirth of interest in painting. Nadin plugged almost immediately into a downtown art scene that included young peers like Christopher D’Arcangelo, Daniel Buren, Louise Lawler, Richard Prince, Jenny Holzer and Lawrence Weiner. Along with D’Arcangelo he founded the collaborative art site 84 West Broadway, an anti-gallery exhibition space located in his own Tribeca loft, in 1978. And he later became a founder of an unlikely artists’ collective called The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters, whose members—including Peter Fend, Colleen Fitzgibbon, and Robin Winters—offered up their talents as critical thinkers to solve real-world problems for clients. It was a social-practice practice many years (too many years, as it turned out) ahead of its time. 

When I first met Nadin, in 2011, at the insistence of the gallery owner Gavin Brown, a fellow Brit, he had already become something of a myth, having dropped completely out of the commercial art world for almost twenty years. He had become dissatisfied with the machinery of galleries and the limitations it imposed on his work. Instead of showing, he simply kept painting, mostly on a farm that he and his wife, the entrepreneur Anne Kennedy, had bought in the Catskills. Nadin also taught for many years at Cooper Union, and became deeply involved in the life of his farm and of the people who lived around it. I first visited him there to write a profile for The New York Times Magazine. The conversations that began then have continued with some frequency for more than a decade now, mostly in the summers, in the Catskills, looking at paintings, sculpture, plants, animals, mountains, ponds, and sky. After many years of rebuilding his thinking about painting through cycles of conceptual work, Nadin recently returned to what he called “painting from life,” the works heavily grounded in the greenhouse and immediate environs, much of the painting done during a concentrated period of pandemic isolation. A selection of the paintings is the subject of an exhibition now on view at Off Paradise gallery in Tribeca, titled “The Distance from a Lemon to Murder,” open through June 23. Nadin and I recently sat down in the living room of his home in the West Village to pick up the thread once again. 

INTERVIEWER

More than any other artist I’ve ever met, you seem to look at the very big picture of the art-making, the long story, about how we are animals and have, like other animals, evolved to do certain things. Plants do certain things, and animals do certain things, and among the things that Homo sapiens have always done—in fact, we now know it predates Homo sapiens and goes much further back—is make art. Your work is deeply knit up with the history of painting but seems even more knit up with that thinking, about how our species creates culture as a function of what we are, the same way bees make honey. 

St James’ Park erupted last night and, inevitably, Arsenal were caught choking in the Geordie volcano’s noxious fumes. Bring out the lasagnes!

Marcus, Pete and Jim look back on a disastrous night for the Gunners in their Champions League chase, while Huddersfield battled their way to Wembley. All of which was eclipsed, of course, by Matt Le Tissier, Rickie Lambert and Wayne Rooney’s search for the truth.

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February 11 – May 22, 2022