The women who redefined colour

The women who redefined colour

Pioneers who challenged Isaac Newton

Copyright

© BBC

0
Tags:
  151 Hits

Raoul de Keyser at Galerie Barbara Weiss

March 5 – April 16, 2022

Copyright

© BBC

0
Tags:
  214 Hits

Yuki Okumura at Saint Martin Bookshop

March 12 – April 1, 2022

Copyright

© BBC

0
Tags:
  186 Hits

Cooking with Sergei Dovlatov

Photograph by Erica MacLean.

“Dad did not care about food,” the daughter of the Soviet dissident writer Sergei Dovlatov once told me, vehemently, upon my suggestion that I might cook from her father’s work. I knew what she meant, but I also knew that Dovlatov’s books were full of the everyday food that was still current in Moscow when I first arrived there to live in the nineties, a few years after the collapse of the Soviet Union. Dovlatov’s characters pause during phone conversations to scream that someone not forget to buy the instant coffee (the only coffee available—I grew to like it). They drink—continuously—wine, vodka, beer. They offer each other bowls of borscht or “spear a slippery marinated mushroom” while talking, or order a sandwich, a salad, or a “chopped-meat cutlet” at a café. In one memorable scene near the end of The Compromise, an autobiographical novel about Dovlatov’s time working as a correspondent for the newspaper Soviet Estonia in the seventies, a full spread of delicacies for Communist Party elite comes out: expensive cold cuts, caviar, tuna, and a piped marshmallow dessert called zefir.

Open-faced sandwiches called buterbrod (from the German) were popular in immediately post-Soviet Russia. At the Bolshoi Theater they served them with orange caviar. Photograph by Erica MacLean.

Like everyone I know who has personal ties to the region, I watched with profound sadness and stress as Russia invaded Ukraine. I thought again of Dovlatov. Within Russia, he is among the most prestigious of the Soviet anti-regime writers, and is a household name. Born in 1941 to Armenian and Jewish parents, he grew up in Leningrad and worked primarily as a journalist. By the seventies, he was publishing fiction abroad, and circulating it by hand in photocopied format, as samizdat, in the USSR. This work drew government reprisals that left him unemployable, and he was forced to emigrate in 1979. His stories featured a depressed and often drunk narrator named Dovlatov and focused on the despair, hypocrisy, and absurdity of life—particularly life in the publishing industry and the arts—under a totalitarian government. I was working as a journalist during my time in Moscow, and everyone I met told me that I had to read him, specifically recommending The Compromise. Each chapter begins with a fulsome snippet of a fictional newspaper article written in the propagandistic style of Soviet newspapers, and is followed by the tragicomic story that unravels the propaganda. At the time, it was thrilling to believe that the forces of censorship had been defeated, and that Dovlatov and those like him had won. 

A character in The Compromise eats marinated mushrooms while another passes out into a dish of potatoes during a drunken bender, the real story behind a fake story on a reunion of prisoners of war. Photograph by Erica MacLean.

Continue reading

Copyright

© BBC

0
  215 Hits

Redux: Like No One Else

Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter.

Detail from Ghost. All drawings by Ed Ruscha.

“I styled myself to look like no one else,” Jamaica Kincaid tells Darryl Pinckney in an Art of Fiction interview that appears in our new issue. “And I also knew I didn’t want to write like anyone else.” Tonight, at our first Spring Revel since 2019, we will present Kincaid with our lifetime achievement award, the Hadada, while Chetna Maroo will accept the Plimpton Prize for Fiction. To celebrate, we’re revisiting work by some of the recent prizewinners we were unable to honor in person: Jonathan Escoffery, who was awarded the Plimpton in 2020; Leigh Newman, recipient of that year’s Terry Southern Prize for “humor, wit, and sprezzatura”; and N. Scott Momaday, who accepted the Hadada last year. (And if you missed the story we unlocked last month by Eloghosa Osunde, winner of the 2021 Plimpton Prize, you can always make it right by subscribing.) We’re also including a 1987 portfolio of drawings by the chair of this year’s Revel, Ed Ruscha.

If you enjoy these free short stories and poems, why not subscribe to The Paris Review? You’ll get four new issues of the quarterly delivered straight to your door.

POETRY
Concession
N. Scott Momaday

Continue reading

Copyright

© BBC

0
  207 Hits

Phil Neville on a hoverbike

Marcus, Luke and Lars check in with the Conte Revolution at Tottenham and look over Luton’s incredible rise as they push for a historic promotion. 


Elsewhere, Nasser Al-Khelaifi wants Childish Gambino at BATE Borisov while Thomas Tuchel thinks tonight’s Champions League tie is dead - for now. Ominous stuff!


Tweet us @FootballRamble and email us here: This email address is being protected from spambots. You need JavaScript enabled to view it.. Plus, you can now find us on TikTok! Just search 'Football Ramble'.


***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!***


See acast.com/privacy for privacy and opt-out information.

Copyright

© BBC

0
Tags:
  163 Hits

The gardens that unclutter the mind

The gardens that unclutter the mind

There is great beauty in the Japanese Zen garden – but also hidden truths

Copyright

© BBC

0
Tags:
  168 Hits

Yalda Afsah at Kunstverein München

January 15 – April 10, 2022

Copyright

© BBC

0
Tags:
  128 Hits