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One night, my stand-up comic brother, David, and I were sitting on my couch, talking about the joke that concludes Woody Allen’s 1977 film, Annie Hall. We’d watched the movie together dozens of times growing up, and we’d always assumed that we interpreted the ending—about how people get into relationships because we “need the eggs”—the same way. That night, we discovered we did not, and even after much talking, we found we couldn’t agree on the joke’s meaning. In the weeks that followed, I longed to restage and expand our conversation, and hopefully to answer some of the questions it had raised, so I invited a few other people into the discussion: Zohar Atkins, a rabbi and poet; Nathan Goldman, a literary critic and editor; and Noreen Khawaja, a professor of religion who has written a book on existentialism. Could we, together, get to the bottom of this profound and amazing joke?

DAVID HETI

The joke came up one night when Sheila and I were talking.

I first encountered Gail Scott’s sentences in Calamities, a book of glorious short essays by Renee Gladman, one of Scott’s closest readers. “These were the shortest sentences I’d ever seen,” Gladman writes, “yet they were not the kind of sentences that allowed you to rest when you reached the end of them. They pointed always to the one up ahead … They pushed you off a balcony; they caused fissures in your reading mind.” When I finally read Scott, it was two novels back to back: Heroine, a young lesbian’s feverish account of living in a Montreal boarding house in the early eighties, and My Paris, the precisely calibrated diaries of an often depressed Quebecois woman living in Paris. It was easy to see how you might want to live in Scott’s sentences forever, or, as Gladman did, transcribe them from memory onto your living room wall. I read them again and again for the pleasure of pure description; for the unnamed women who move through them without warning, wearing loose black pants, an olive-green jumpsuit, silk socks, and irrepressible perfume; for Scott’s impressions of Quebecois political-left consciousness in the second half of the twentieth century. “Heroine is more a work of reading than of writing,” Eileen Myles wrote in the book’s introduction, which was also published by the Review in 2019. It’s the deceptive work of accumulation, too, that drives both these novels—in the kind of ravenous prose that seems to revise itself as it’s already in motion. From My Paris: “The marvellous is to be had. I thinking at 5:30a. Looking out window. Pale blue sky beyond anarchy of chimney pots. You just have to pierce the smugness of the surface.”

—Oriana Ullman, intern

“History repeats itself.” This repetition, the relentless circularity of time, is the subject of Time Shelter, the latest novel by the Bulgarian writer Georgi Gospodinov, translated by Angela Rodel. It follows an unnamed Bulgarian narrator as he finds himself drawn into the creation of a Zurich-based “clinic of the past” for Alzheimer’s patients, dreamed up by Gaustine, a philosopher prone to uttering enigmatic sentences like, “No one has yet invented a gas mask and bomb shelter against time.” The clinic is neatly divided into floors, each of which is dedicated to a decade of the patients’ lives—but these floors eventually begin to spill over into one another. Mayhem ensues. Soon, nonpatients want in, too, and politics enters the scene. Referendums are held: Should Europe be returned to its past? Strewn with aphoristic meditations on the history, fiction, the nature of time, and the construct of Europe, this is a novel that feels both prescient and like a dream. Or like a moment of déjà vu: At the book’s end, is it 1914 in Sarajevo, a time and place that decided the course of modernity as we know it—or is it a reenactment of that assassination, happening in 2024? At what point does that which is reenacted merge with that which is real? As Gospodinov illustrates, it’s pointless to bet against the past. The house always wins.

Actor LeVar Burton will be hosting the 2022 Scripps National Spelling Bee. The spelling bee started in 1925 and aims to help students “learn concepts and develop correct English usage that will help them all their lives.”

The choice of host comes naturally as Burton is a lifelong advocate for children’s literacy and was the former host and executive producer for PBS’ Reading Rainbow as well as last year’s fan favorite for becoming the new Jeopardy! host.

Over 200,000 people watched live last year as 14-year-old Zaila Avant-garde from New Orleans became the first Black American to be named the spelling bee champion, winning a $50,000 prize.

This year, the semifinals and finals will air live on June 1st and 2nd, respectively, and take place near Washington, D.C. It can be viewed on the ION, Bounce, and LAFF networks.

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