March 16 – May 19, 2024

Are Martin Parr's images snobbish – or do they just show the real Britain?

Why the controversy around the Netflix drama is not about to subside

April 11 – May 18, 2024

April 24 – May 18, 2024

The Godfather director spent 40 years and own money making 'wild' sci-fi epic

The latest Mad Max instalment is 'more exhausting than exhilarating'

April 13 – May 17, 2024

One star for Francis Ford Coppola's 'loopy' retro-futuristic passion project

How Roy Cohn has had a 'vampiric afterlife' in pop culture since his death

April 4 – May 18, 2024

April 6 – May 18, 2024

Yorgos Lanthimos's Kinds of Kindness is 'almost unbearably' cruel

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March 16 – May 18, 2024

March 30 – May 18, 2024

March 21 – May 17, 2024

Little-remembered film Robin Redbreast is terrifying – and back in the spotlight

At art fairs, gallerists sometimes heed the not-so-invisible hand of the attention economy, mounting big, gauche presentations that seem designed to be photographed first and appreciated second. But spare, unflashy art can thrive at a fair, too, and the newly opened edition of Independent New York offers solid proof of that.

This year’s Independent, which opened its preview at Spring Studios in Tribeca on Thursday, is alive with energy in more than a few of its booths, but the jolts that the fair offers are largely gentle. That’s a good thing.

There are no artistic stunts and no mega-galleries at this fair, whose 77 exhibitors are predominantly mid-size operations. As has been the case in the past at Independent, which this year turns 15, the emphasis is on glossy, sleek art with an international flavor.

The fair is guilty of aesthetic conservatism—the vast majority of the work on view is painting, and much of it is fairly apolitical this time around. Then again, that’s the case for every art fair. This one, at least, has its pleasures. There’s a plethora of pieces by under-recognized and dead artists, and generally, there are few stars or market phenomena among the living, which means that there is new talent waiting to be noticed.

Below are eight of the best artists on view at Independent, which runs through Sunday.

13 min read

History is much closer than we think, especially in a city like Oxford. The people of Oxford walk through history with each step they take on the cobblestone streets and with each student that goes to one of the many halls for their classes. However, history is not only architecture, but also those who made it happen. As such, it is important to bring to light and honour to those who are oftentimes known, but not acknowledged.

March is International Women’s History Month, and Oxford has seen its fair share of women who have fought to be more than simply footnotes in history. Through their actions, they have inspired or paved the way for other women to continue the journey towards an equal society. Though their actions might have been singular in nature, a personal fight, in the grand scheme of things, it is important not to only view them as such. While the women remembered here might not have known each other, their actions had an impact on each other’s lives. Just like the stones in Oxford’s beautiful architecture, their actions built upon one another and inspired other people to either add another stone or use those stones to create a staircase so that the women after them could stand at even greater heights.

It is an honour to be able to remember these women today. They might not have been the first to stand on the moon, but they saw that true change in society came from taking steps to push for equality. It is easier to tread on a path where one has an idea of where to go thanks to the guidance of those before you, allowing them to explore further and to continue to fight. This is how the women here are connected with one another – one’s actions inspiring another and thus creating women who fought for the change they desired to see.

Lady Margaret Beaufort