Bernhard Schobinger at Martina Simeti

February 17 – March 25, 2023

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Gabriella Torres-Ferrer at Embajada

February 4 – April 8, 2023

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Gretchen Bender at Sprüth Magers

February 3 – March 25, 2023

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Molly Rose Lieberman at Theta

February 24 – March 25, 2023

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Genpei Akasegawa at SCAI PIRAMIDE

January 26 – March 25, 2023

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Anna-Sophie Berger at Layr

February 9 – March 25, 2023

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Tunji Adeniyi-Jones at Morán Morán

February 7 – March 25, 2023

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KAYA (Debo Eilers & Kerstin Brätsch) at Deborah Schamoni

February 3 – March 25, 2023

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Eight ways plants can improve your home

Eight ways plants can improve your home

From tiny terrariums to tiger-print statements, how plants enhance any interior

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The ultimate video game icon

The ultimate video game icon

How the plucky Nintendo character Mario has gone from arcade games to Hollywood

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Hollywood's most extreme actors

Hollywood's most extreme actors

The controversial style of 'method acting' that divides the industry

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Succession's 'jaw-dropping' finale

Succession's 'jaw-dropping' finale

A thrilling end to a genius TV series

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Have we got Egyptian mummies all wrong?

Have we got Egyptian mummies all wrong?

How a major new show is refusing to look at what's inside the Egyptian artefacts

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7 striking images by Africa's new wave

7 striking images by Africa's new wave

Meet the Gen-Z and young Millennial image-makers now in the global spotlight

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The American designers who were ignored

The American designers who were ignored

Some of North America's most famous designs were the work of little-known names

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Six ancient Norse myths resonating now

Six ancient Norse myths resonating now

The millennia-old legends that still shape how we think today

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Hollywood's most misogynistic cliché

Hollywood's most misogynistic cliché

How film and TV are hung up on the 'dead wife' trope

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The 'new Bayeux tapestries'

The 'new Bayeux tapestries'

How people around the world are revealing their hidden histories in fabric

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Barkley Hendrick’s Stanley Whitney Portrait Could Break Auction Record

A 1971 portrait of the artist Stanley Whitney painted by Barkley Hendricks is poised to break a record for the artists when it is offered at auction in May.

The painting, titled “Stanley,” picture its titular subject in street clothes standing against a gold background and smoking a cigarette. It will be offered during a single owner sale at Christie’s where it’s expected to fetch $5 million. If it reaches its low estimate, the painting’s sale will be a record price for a work by Hendricks, who died in 2017 at the age of 72.

The two Philadelphia-born artists met while studying at Yale University in the 1970s. Hendricks would eventually become known for his paintings of fashion forward subjects —predominantly depicting people of color in his inner circles. He’s credited for influencing the current generation of Black figurative painters working today.

The last time a major Hendricks work came to auction was in December 2020. The 1972 canvas Mr. Johnson (Sammy from Miami), 1972, depicting one of the artist’s signature nonchalantly-posed models sold for $4 million during a Sotheby’s contemporary sale in New York—setting a new auction record for the artist. The result surpassed the previous high of $3.7 million paid for Hendricks’s Yocks (1975) at Sotheby’s in 2019. 

Recognition surged for Hendricks following the Nasher Museum of Art’s lauded retrospective “Barkley L. Hendricks: Birth of the Cool,” in 2008 at Duke University. Whitney, who is 77, has seen his own milestones recently. His abstract works garnered attention during a collateral exhibition staged at the last edition of the Venice Biennale in 2022.

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Arts and Cultural Industries Represented a Record $1 Trillion of the US Economy in 2021, New Report Finds

The arts and culture sectors represented more than $1 trillion of the US economy in 2021 and accounted for a record portion of country’s overall economic value, per new data from the government.

On Wednesday, the National Endowment for the Arts (NEA) and the Bureau of Economic Analysis (BEA) published their latest analysis of the economic health of 35 industries within the arts. Additional emphasis was placed on measuring whether each industry had returned to pre-pandemic levels of economic performance—or if they had failed to recover. 

According to the report, between 2020 and 2021, the total economic value contributed by arts and cultural industries increased by 13.7 percent, vastly surpassing the gains of the wider US economy, which grew by just 5.9 percent over the same period. By the end of 2021, the arts industries made up 4.4 percent of the nation’s overall gross domestic product (GDP).

Of the 35 industries studied, ten—including independent performers and artists and performing arts organizations—recorded significant growth within 2021, however none reached 2019-levels of economic output. The NEA also reported that just under 4.9 million people were employed in the arts industries in 2021, representing an increase from 2020, when the pandemic curtailed economic activity in the arts worldwide. That too was still below the 5.2 million employed in 2019.

Performing arts workers and performing art venues, two of the hardest hit areas in 2019, grew in 2021 by 14 percent to about 230,000 employees in total. Again, a gain that was still below the 323,000 workers employed by the industry before Covid-19. 

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