When the Tate Britain unveils the rehanging of its galleries on May 23, women artists from the 17th century to the present will be more prominently featured, the museum announced earlier this week.

The new displays from national collection of British art will showcase over 800 work by more than 350 artists, including favorites, recent discoveries, and new commissions, including several large-scale contemporary installations. Notably, half the contemporary artists on display will be women, including Bridget Riley, Tracey Emin, Kudzanai-Violet Hwami and Lydia Ourahmane.

The museum’s statement on the rehang said its “longstanding commitment to diversifying its collection means the gallery can also showcase great women artists from the 17th, 18th and 19th centuries, including many who have never been shown at Tate before.”

Recent acquisitions of female artists that will be newly on display at Tate Britain include a full-length portrait by Joan Carlile, believed to be the first woman in Britain to work as a professional oil painter. The museum acquired the work in 2016. In 2021, Tate also acquired 29 watercolors by Emily Sargent, the sister of the much better-known John Singer Sargent, made on her travels in North Africa. The paintings are part of a much larger collection of 440 discovered in a trunk by a family member in 1998.

“Tate Britain’s new displays will embody our commitment to expanding the canon and diversifying British art history,” Polly Staple, the museum’s director of collection, British art, said in a statement. “In recent years we have brought so many incredible works into Tate’s collection and visitors will soon be able to see these new acquisitions hung alongside more familiar and much-loved classics.”

A “Balloon Dog” sculpture by artist Jeff Koons was accidentally knocked over by an art collector and shattered on the floor of a Miami gallery Thursday evening. Luckily, for the collector, the cost of the piece was covered by insurance.

The two-decade-old piece was blue porcelain and stood at roughly 15 inches tall. The work was on display as part of the contemporary art fair Art Wynwood, according to a report by the Miami Herald Friday.

“When this thing fell to the ground, it was like how a car accident draws a huge crowd on the highway,” Stephen Gamson, a Wynwood–based artist and art collector, told the Herald.

Attendees were left wondering if this was an accident or possibly part of a performance piece.

Koons speculated that the woman may have let curiosity get the best of her. She has, however, been identified as an art collector.

Over the past 15 years, Los Angeles–based dealer François Ghebaly has established himself as a major player. He represents some of today’s most important artists, from Farah Al Qasimi to Candice Lin; expanded to New York two years ago; and opened a second LA space earlier this month. Even still, he never considered pursuing a career in art until he moved to LA in the mid-2000s, when he was in his early 20s. 

Ghebaly grew up in Saint-Louis, France, on the other side of the French-Swiss border from Basel. Growing up in a suburb of Basel, Ghebaly regularly took advantage of the “world-class culture” the city had to offer, from its esteemed museums and musical offerings to Art Basel, the marquee art fair that has taken place there since 1970.

“I had a business degree by default because it’s something that runs in the family—I had a job waiting for me in a bank in Switzerland,” Ghebaly said. “No one in my family was connected to the art business, so it was not the kind of business I thought I could do.”

Shortly after landing in LA, Ghebaly started working at the Brewery Art Colony, a former 16-acre Edison power plant in the city’s Lincoln Heights neighborhood that was converted into artist lofts in the 1980s. “I very quickly ended up being surrounded by a fascinating community of artists, some of whom became my dear friends. The community that I came across in LA was so fascinating that I wanted to apply my skills in business for artists,” he said. 

In 2006, Mihai Nicodim, who had also recently arrived to LA from Europe, opened up his own gallery, then called Kontainer Gallery, in Chinatown, and one of his first hires was Ghebaly, as an intern. By his third month on the job, Ghebaly was a director.

Two Florida–based Native American activists are asking the city of Miami to stop an ongoing archaeological dig in the Brickell neighborhood. The site is being developed for residential housing.

The artifacts found at the site include pottery sherds, stone tools, and humans remains likely dating back to the Tequesta people who lived along the Miami river.

Will Pestle, a bioarchaeologist and University of Miami professor, told Local 10 News that the site dates back as far as 7,000 years: “[It’s] older than the pyramids. It is older than the colosseum in Rome.”

Meanwhile Robert Rosa of the American Indian Movement of Florida and Betty Osceola of the Miccosukee Tribe of Indians of Florida are requesting that the city stop the excavation.

“I was a little bit angered and felt like our ancestors were being disrespected,” Osceola told Local 10 News. She also suggested the area be preserved like the nearby Miami Circle.

At the opening of Frieze Los Angeles on Thursday, collectors and museums appeared especially keen to acquire art, with dealers reporting success in placing works in institutional collections based in the U.S. and Europe.

In their sales reports, dealers said that the return to Los Angeles for this year’s edition of the heralded fair was fruitful. Works valued as high as $3.5 million landed buyers, signaling that business was taking place at a steady pace on opening day.

A few dealers said this opening outpaced expectations. “The energy both at the fair and beyond has been contagious,” Lehmann Maupin partner Jessica Kreps said in an email to ARTnews. “My conversations with curators and collectors seem deeper and much more calculated this year. People are interested in learning more about long-lived and established careers, rather than looking out for the next best thing.”

Gagosian reported that its entire booth of nine works on paper and painting by Rick Lowe sold within the fair’s opening hours. Antwaun Sargent, a director at the gallery’s New York locations, told ARTnews that the fair’s results indicate that excitement over the artist “only continues to grow.”

It was not just mega-dealers who saw multiple works by attention-grabbing artists sell out in the early hours. London’s Victoria Miro reported that 18 paintings, each priced at under $80,000, sold from its solo booth of new work by Doron Langberg.

Shipping might not be a glamorous aspect of the art industry, but it is an essential service crucial to successful exhibitions, acquisitions, and archival collections, as well as the growing import and export of art.

For the Frieze Los Angeles art fair, this means dozens of galleries — from across the city and around the world — shipping artworks to the Santa Monica Airport’s Barker Hangar in hopes they will be snapped up by collectors, curators, and other institutions.

Art shipping and transport is a service often provided at a premium by logistics companies like Maquette Fine Art Services and Crozier Fine Arts. Many of these companies offer art shipping and transport in conjunction with custom touring crates and protective containers, shipping preparation, and installation, as well as short and long-term storage. Art insurance is a separate matter, purchased from companies like Chubb and Berkeley Asset Protection.

In addition to arranging transportation logistics, art shipping companies help clients navigate security issues, customs, taxes, duties, as well as import and export regulations for different countries. With the international nature of the modern art industry, all of this is necessary in order to ensure artworks are moved safely and securely to and from artist studios, museums, galleries, and 300-plus art fairs and biennales, as well as the homes of private collectors.

Here are the most important things experts told ARTnews about art shipping:

Catalan authorities have recovered a cache of graphic works by Salvador Dalí and Joan Miró that were stolen last year in Barcelona. 

Police have detained three brothers, aged 50, 53 and 55, who allegedly targeted homes in Barcelona’s high-end neighboorhoods that held fine art and luxury goods. The robbery ring has been under investigation since January 2022 as part of operation ‘Gresca,’ and, on Friday, police announced that a trove of stolen jewelry and banknotes and art, including two 100-year-old illustrations by Dalí, were seized from the suspect’s hideout.

The Dalí charcoal drawings, pastoral scenes on brown paper and valued around $300,000, were authenticated by the Gala-Salvador Dali Foundation, which manages the Surrealist’s legacy. The two works date to 1922 and were created on the request of the writer Pere Coromine for his book Les Gràcies de l’Empordà (The Empordà’s Graces in Catalan).

Two other suspects were arrested on charges of receiving the stolen goods and have been released along with the three brothers were released on bail ahead of the trial, per a report in Reuters in Friday.

Five works attributed to Miro were recovered and are currently awaiting authentication by the artist’s estate. Two pieces by the painter Paco Sola were also found on the scene, along with precious antiques, such as silver and golden pens, as well as coins and jewels.

ARTnews and Los Angeles–based lifestyle brand, PLEASURES, announced Friday that they will be releasing a unisex apparel collaboration. The collection will launch on February 18.

“We wanted to educate our audience about the importance of art not only in culture, but also in media through one of the most premier platforms: ARTnews,” said PLEASURES cofounder, Alex James. “The merging of fashion and art is not a new concept but something that will surely live on.” 

Collaborations between the art world and fashion have a long history. For example, the O.G. art/fashion project, Dalí + Schiaparelli, as ARTnews editor-in-chief Sarah Douglas wrote in 2021, brought us the Shoe hat, the Lobster dress, the Tears dress, and the Skeleton dress. Other artist x fashion collaborations have included Hank Willis Thomas and Helmut Lang, Richard Prince and Louis Vuitton, and Anne Imhof and Burberry. Most recently, Louis Vuitton released a new collaboration with Japanese artist Yayoi Kusama.

The ARTnews and PLEASURES collection includes a hoodie in black and gray colorways, a long-sleeve T-shirt in both black and white, a T-shirt available in black and gray, and baseball caps in black and in white.

Have a look at the new collection below and watch out for the drop here:

Thursday’s VIP preview at Frieze Los Angeles was packed with celebrities and art world heavy hitters alike, including actress Margot Robbie, record producer Benny Blanco, model Heidi Klum, and entrepreneur Laure Hériard Dubreuil. With significant interest following the pandemic, the fair appeared to be back in full swing.

Past VIP days at Frieze’s various editions have felt more “like waiting for a sneaker drop than trying to get into an art fair,” an adviser told ARTnews senior editor Daniel Cassady, who reported on the tumult of prior scenes. This one felt no different, with the aisles crowded throughout the day.

Below are selected highlights from the fair’s preview.

Workers at the Minneapolis Institute of Art have begun an informational picket outside of the museum, the Minnesota Reformer reported Thursday.

Temporary employees at the museum, who refer to themselves as “casuals,” unionized in 2021 with OPEIU (Office and Professional Employees Union) Local 12. The unionization process was prompted by massive layoffs of “casual” employees during the pandemic. Prior to the pandemic, those employees numbered around 100, but were then shaved down to 35. Before unionization, most of the “casual” workers did not make the Minneapolis-suggested wage of $15 an hour.

The workers have criticized the way museum leadership handled the economic hardships of 2020, pointing out that the leadership at Mia only took a 15% pay cut whereas leaders at other museums sacrificed much more of their high salaries to keep staff on retention.

“Instead, Mia officials decided to layoff those that are in the lowest-paid positions and the most precarious of financial positions,” reads a 2021 petition from when the Mia staff were first agitating for unionization. “As a result, these decisions have disproportionately affected Mia’s BIPOC staff (which primarily retain non-managerial or grant-funded positions in the museum).”

The union now represents 150 curators and other non-managerial staff who have been fighting for a 16% wage increase over two-and-a-half years, as well as medical benefits.

November 17, 2022 – February 11, 2023

November 16, 2022 – February 25, 2023

January 12 – February 25, 2023

January 21 – February 18, 2023

January 15 – February 12, 2023

November 18, 2022 – February 19, 2023

December 4, 2022 – February 18, 2023

December 15, 2022 – February 25, 2023

October 30, 2022 – February 12, 2023

January 6 – February 18, 2023