Ido Radon at Veronica

April 8 – May 20, 2023

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Alex Lemke at Gattopardo

April 22 – May 20, 2023

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Lisa Holzer at Layr

March 31 – May 20, 2023

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Jessi Reaves at Arts Club of Chicago

February 15 – May 20, 2023

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Barbara Bloom at Galerie Gisela Capitain

March 31 – May 20, 2023

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Sarah Rapson at Maxwell Graham / Essex Street

April 8 – May 20, 2023

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Ed Atkins at dépendance

April 19 – May 20, 2023

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COBRA at Good Weather

February 26 – May 6, 2023

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Anne Speier, Lucie Stahl at What Pipeline

April 8 – May 27, 2023

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The Zone of Interest is 'a masterpiece'

The Zone of Interest is 'a masterpiece'

Five stars for Under the Skin and Sexy Beast director Jonathan Glazer's latest

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New Indiana Jones is 'like fan-fiction'

New Indiana Jones is 'like fan-fiction'

'Gloomy and depressing' film is a disappointment

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Monster is 'a marvel' and 'bittersweet'

Monster is 'a marvel' and 'bittersweet'

Hirokazu Kore-eda's 'compassionate' follow-up to Broker chronicles untidy lives

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Johnny Depp's comeback is a flop

Johnny Depp's comeback is a flop

In the star's new film, he is 'subdued to the point where he's barely conscious'

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The Italian 'maestro of murder'

The Italian 'maestro of murder'

Legendary director Dario Argento looks back at his nightmarish films

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'Preposterous from beginning to end'

'Preposterous from beginning to end'

Fast X 'takes stupidity and excess to breathtaking new heights'

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The films too badly-lit to see properly

The films too badly-lit to see properly

Why people are complaining about The Little Mermaid and other gloomy big-hitters

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The surprising power of horror stories

The surprising power of horror stories

How artists use terrifying images to heal

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How the 'naked' look took over fashion

How the 'naked' look took over fashion

From Beyoncé's body suit to red-carpet flesh-baring – why now?

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Why Korea's moon jar is so iconic

Why Korea's moon jar is so iconic

How an ancient symbol continues to stand for simplicity and national identity

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The Best Booths at Independent New York, From Monumental Paintings to Tender Photographs

The Independent art fair’s “no booth” layout, where there are few walls and visitors can mingle freely, has itself garnered a reputation among dealers. It’s not hard to see why. At the opening of the fair, which runs through May 14 at Tribeca’s Spring Studios, emerging and mid-size galleries showed off their wares as healthy crowds of people moved about, creating a more intimate vibe than is typical at most art fairs.

In the early hours of the opening on Thursday, disgraced art dealer Mary Boone and journalist Anderson Cooper were among the attendees. Cooper stopped by London-based dealer Niru Ratnam’s booth to view works by painter Kimathi Donkor. Meanwhile, New York dealer Nicola Vassell told ARTnews that there had already been several museums vying to buy works by Elizabeth Schwaiger on view in her booth.

As with previous editions, Elizabeth Dee, the fair’s founder and director, said, “Every year we kind of grow this audience exponentially.” According to Dee, the fair expected around 2,000 VIP attendees to attend Thursday morning. “We really choreograph that first three hours carefully,” she said, explaining that giving collectors and dealers the time to have discussions in those opening hours is key.

Twenty-three of the 70-plus participating galleries were staging debut presentations for their artists. Dee told ARTnews that introducing new talent was a focus: “This should be a place that almost mimics a whole day in New York going to galleries.”

Below, a look at the standout showcases.

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