Daphne Du Maurier’s career was long and storied; her life was equally so. Her books were huge bestsellers when they were published, and many live on in edition after edition. Du Maurier was a novelist, a poet, a playwright, an essayist, a literary critic, a nonfiction writer, and a biographer. In short, she was a Writer with a capital “W.”

To begin, a short biographical sketch: Daphne Du Maurier was born in 1907 in London, England, into a literary and dramatic family. Her father was a well-known actor-manager, and her mother was an actress. Her maternal grandfather was a Punch cartoonist and is the author of Trilby (1894). Her cousins were the children that J.M. Barrie patterned the Darling children after in Peter Pan, and her father was friends with one Sir Alfred Hitchcock, who directed three of her works (Jamaica Inn, Rebecca, and The Birds).

If Du Maurier were writing today, she would fall squarely in the “popular fiction” category. Her work has a quality of being easy to relish, fun to read, and also sticking with the reader. She was a master at leaving just enough strings still dangling at the end of a novel that the reader ends up batting like a kitten at them far after the reading is done.

She is at the top of my “favorite authors whose work I need to explore more deeply” list, so I’ve put together a primer for getting started with Du Maurier that we can all work through together.

Nonfiction books are my jam, and nonfiction science books? Especially so. What I love is how broad the genre is. Science can include things like medicine, nature, ecology, marine biology, conservation, psychology, chemistry, microbiology, and much more. It can also include personal essay and memoir, and may weave in history. For me, that’s the beauty of science: its reach.

My shelves have been overflowing with books lately — there are so many great books out right now, and I’m still trying to catch up from 2022 — but my science bookshelves are particularly full. The diversity of science books right now is stunning, and it’s pushed me to read books in areas that I normally wouldn’t choose at first, like marine biology or ornithology.

This is just a small sampling of science books that have come out in the last few months, as well as some books that are coming out this spring. Topics run the gamut from cells to surgery, from diversity in conservation and environmental activism to the exploration of the possibility of aliens, and much more. You’ll notice that many of the books on my list blend science and memoir or personal essay, as opposed to a more straightforward nonfiction science book. I think this speaks to the power that science has for us, to push us to reflect on our own lives, and examine where we stand in the scheme of things and where we fit into the environment or universe.

Let’s take a look at some of the books you’ll definitely want to add to your TBR.

Dear Stephen King:

Last week, you had a tweet take off. I’ve seen it everywhere, including on several giant Facebook pages, Instagram pages, even on TikTok. The tweet, about book banning, is nice and sexy, attempting to break down the problem in under 280 characters. And you know, it was successful!

It got a lot of attention from your 7 million followers, as well as so many big names.

But, Stephen, this tweet, as thoughtful as I think you mean it to be, has done a lot of damage for the cause of anti-censorship in today’s world.

In the Goodreads monthly roundups of new books to watch out for, they often highlight eye-catching titles, whether they’re poetic, surprising, or particularly punny. Today, they gathered up some of the best new titles (August 2022 to January 2023 releases) in their own post.

Goodreads notes that titles long enough to be a complete sentence are in style right now. These kinds of titles have long been common in manga, and perhaps the popularity of that format has brought this convention over to North American publishing.

The title that got the most buzz this year has to be I’m Glad My Mom Died by Jennette McCurdy. It’s the kind of title, combined with the cover design, that stops you in your tracks in a bookstore. Paired with McCurdy’s fame and dry humor in her writing style, and this was a big bestseller of the year.

Here are some of the 36 recent releases Goodreads selected as the best titles publishing has to offer.

In the fall of 2019 I was newly living in the Midwest. In my free time, I’d take long, aimless walks, trying to tune to the flat cold of the place. On one such walk I got a call from my friend Anya Zalevskaya; she was in Odesa, she said, working on a film, a documentary about the Ukrainian (but also Romanian, Jewish, and Soviet) director Kira Muratova. When Anya called, it was almost midnight in Odesa. She was sitting on a bench by the Black Sea; I could hear the waves, the inhale of her cigarette. What film of Muratova’s should I watch first? I asked her. Ah, she said, The Asthenic Syndrome, for sure. 

1990’s The Asthenic Syndrome takes us to Odesa, too, but this is an Odesa at the fraying edge of a Soviet time-space where, significantly, we never see the sea. The film is shot in places that suggest a borderland, an edge, a wobble: construction sites, mirrors, photographs, headstones, film screenings, cemeteries, a dog pound, a hospital ward, a soft-porn shoot. This in-between sense is temporal, as well: Muratova notes that she “had the great fortune of working in a period between the dominance of ideology and the dominance of the market, a period of suspension, a temporary paradise.” As with the asthenic syndrome itself (a state between sleeping and waking), the film is a realization of inbetweenness, an assembly of frictions and crossover states we feel through form: through Muratova’s use of juxtaposition; through her uncanny overpatterning of echoes and coincidences; through the shifts of register between documentary and opera. The film doesn’t proceed so much as weave itself in front of us, in a dazzling ivy pattern of zones and occurrences. You could call it late-Soviet baroque realism.

The film is really two films. The first, in black and white, opens out into a funeral. It’s for the husband of Natasha, we learn—a middle-aged woman possessed, in the ensuing scenes, to the very end of herself with grief. Because grief invents the road it travels, Natasha—like her audience—does not herself know what she will do next. With terrifying speed, she quits her job as a doctor, insulting coworkers in the process; takes a drunk home, tells him to strip, beds him; shoves and insults passersby. All this is captured in the camera’s eye, however, with a disinterested dignity. And then, abrupt as Natasha’s shoving, the first film breaks into the second (I’ll leave you to see the how and the why—it’s great). 

At the epicenter of the second film is the exhausted Nikolai, a schoolteacher who nods off in moments of emotional intensity. Occurrences flare up around Nikolai like religious antimiracles—a carp torn apart by female fingers as “Chiquita” plays, a high school boy imitating a game show host, the agonizing panorama of the dog pound. This is the social and inner world in abjection, yes: but because abjection is possible, the film seems to say, so is human dignity. The question of dignity binds the viewer to the film’s concern: what is the human when it is shorn of category, of psychology, of system? What are we when we are together? What are we when we are alone?

Jesmyn Ward fans, rejoice! We officially have a title and release date for her next novel. Let Us Descend is slated for an October 3rd release from Scribner, a Simon & Schuster imprint.

The book will tell the story of enslaved teenage girl Annis, turning an unflinching eye at the terrifying reality of a life violently robbed of physical agency. “It took years and multiple drafts to understand how Annis and enslaved people might have retained their sense of self, their sense of hope, in a time and place that attempted to negate both, day in and out,” Ward said in a statement from Scribner. Let Us Descend is described as “a blend of magical realism, historical narrative and Dante’s ‘Inferno.'”

This will be Ward’s first release since Sing, Unburied, Sing, the epic family saga and road novel set in rural 21st century Mississippi that won the National Book Award for Fiction in 2017. Ward’s Salvage the Bones, set in the days leading up to Hurricane Katrina, won the award in 2011, making her the only Black author to win two National Book Awards for fiction. Among her other notable works are The Fire This Time, Where the Line Bleeds, and Men We Reaped.

Find more news and stories of interest from the book world in Breaking in Books.

In our new Winter issue, Belinda McKeon interviewed Colm Tóibín, the author of ten novels, two books of short stories, and several collections of essays and journalism. “In the autumn of 2000,” he told her, “I taught a course at the New School called Relentlessness, and I chose to teach translations of some ancient Greek texts, and Joan Didion, James Baldwin, Ingmar Bergman, Sylvia Plath. The class was very useful because it gave me a bedrock of theory about what this sort of work was doing. … Once you have that certain authority, you can actually write a plainer prose.” We asked Tóibín for his syllabus from that class, along with a short introduction, as the first in a new series we are launching called Syllabi.

I am interested in texts that are pure voice or deal with difficult experience using a tone that does not offer relief or stop for comfort. Sometimes, the power in the text comes from powerlessness, whether personal or political. Sometimes, death is close or danger beckons or violence is threatened or enacted. Sometimes, there is a sense of real personal risk in the text’s revelations. Sometimes, there is little left to lose. All the time, the tone is incantatory or staccato or filled with melancholy recognitions.

Euripides, Medea

Sophocles, Electra

Mary Manning’s portfolio for the Winter issue of the Review documents a summer spent in Italy. Their collages are perfect expressions of the special kind of vision you have on vacation, when everything—pizza receipts, sidewalk seating, wildflowers—looks new and exciting, strangely saturated. Manning’s work not only captures but literally incorporates their world in order to rearrange it, ever so gently, at an angle: in Ciao!, there’s a cantaloupe wrapper and a bag from a pharmacy, plus photographs of their friends, of a Nicola De Maria fresco, and of a performance of a Trisha Brown dance. Manning was born in Alton, Illinois in 1972 and lives in New York City. In 2006, they began sharing digital photographs of their everyday life on their blog alongside scans of objects and links to the work of musicians, filmmakers, writers, and other artists they admire. Today, their work appears in print and on gallery walls across North America. The book Manning was preparing last summer, Grace Is Like New Music, a collection of images spanning ten years of their work, will be published by Canada Gallery in February. We talked about looking at images nonlinearly, as well as Italian graphic design, postmodern choreography, and bags (paper and plastic).

INTERVIEWER

Do you take photos differently when you’re on vacation?

MANNING

In Wallace Shawn’s Evening at the Talk House, a group of former theater collaborators reunite at the bar they once frequented together. They’ve since all gone their separate ways, some making good money in TV; others have cobbled together livings from various odd jobs. But when their sad-sack friend Dick (played by Shawn himself in the New York premiere of the play) arrives late to the party, face bruised and crusted with dried blood, the play reveals its insidious side. At first, Dick acts as if nothing has happened, but then, when pressed, he earnestly explains, “I was beaten, rather recently, by some friends, but you see, I actually enjoyed it very much, in the end. Really, it was great. No—I loved it!” Dick does what just about all the play’s characters will go on to do: compulsively excuse horrible ideas and horrible actions. Act like nothing happened. Act like everyone else is making too big a deal out of something. The play glides along so blithely that its evolution into a genuinely frightening horror story might catch you by surprise. A year after it premiered in New York, the ensemble cast, led by Shawn and Matthew Broderick and directed by Scott Elliott, recorded their performances for the podcast Intercepted. It works beautifully as a radio drama, especially since one of the most perverse and hilarious pleasures of this play is to hear those voices argue so pleasantly and so reasonably in favor of cruelty, as if they’re kindly injecting you with a needle full of poison.

—Lucas Hnath, author of “Old Actress”

I’ve been following the rise of Julia May Jonas since her debut novel, Vladimir, came out last year. When I learned that Jonas had written a new play, Your Own Personal Exegesis, I leaped at the chance to see it at LCT3. Exegesis is a memory play—a reconstruction of the memories of one of the characters, Beatrice (Annie Fang). Set at “Redacted Church in Redacted, New Jersey” in 1996, it follows the church’s youth group, which meets on Friday nights for Bible study, danceathons, and performances of liturgical plays. Beatrice is the group’s youngest member. There’s also Chris (Cole Doman), the “Jock Rebel Sensitive Everything guy”; and Brian (Savidu Geevaratne), who was raised in the church and lusts after Addie (Mia Pak), whose disordered eating causes her to grow lanugo and eventually sprout black wings. Overseeing the group is Reverend Kathy Redacted, or Rev. Kat, as she’s known to her students. Her name and the name of the church, which are literally blacked out on the church bulletins the audience is given as we’re ushered to our seats, are our first clues that something sordid is in the offing. Having read Vladimir, in which the narrator develops a passion for a younger colleague in her department, I expected a similar story of illicit desire. Exegesis is cleverly and precisely structured, beginning with a call to worship followed by an invocation, a reading of the New Testament, a presentation of tithes and offerings, a confession of sins, and so on. At select call-and-response moments, the audience is directed to read aloud from the bulletins in our laps. We complete a circuit of knowledge, and maybe something more. Ultimately, the play’s concern with how an authority figure might wield charismatic power over her charges put me in the mind of Muriel Spark’s The Prime of Miss Jean Brodie. Considering Rev. Kat, Beatrice says, “She frightens me … She say[s] what other people don’t want to hear because they don’t want to hear it.” Others, though, fall for her faster than you can say “benediction.”

—Rhoda Feng

Ah, January. Sure, it’s the start of a new year, new beginnings, and all that, but it’s also the start of a whole new year of new releases to look forward to. Think of all the fabulous books that will be released in 2023! (My wallet is crying and I’m sure my already overflowing TBR pile isn’t too happy, either).

It might also be the start of some new reading challenges or some new reading resolutions, or you might just want to explore something different. Lucky for you (and for everyone, really), January nonfiction is full of different options. It’s the perfect opportunity to grab a book that looks interesting, sit by the fire with a cup of coffee or hot cocoa, and layer on the blankets while you read the day away.  

There’s a personal essay collection about pre- and post-transplant life, a book exploring what it’s like to be mixed race and issues of belonging and acceptance, memoir/cultural criticism about alcohol’s role in our culture and what happens when you don’t partake, a reported memoir about stuttering, and much more.

This is not a comprehensive list of every nonfiction book being released in January, but these are the ones that especially caught my eye. Let’s take a look!

It’s 2023, horror fans! Which means we have a whole new year of horror books to look forward to reading. January is starting off with a bang with a bunch of great new horror novels to choose from. Seriously, these books are a great way to start off a whole year of horror. Will you be adding them all to your TBR for the month? I know I will.

Before we get into the books, let’s talk about some of the trends we’re seeing for horror in the first month of 2023. First of all, looks like oranges, reds, and yellows, are the vibe for cover designs. Are the hot pink and bright purples of 2022 horror over? I guess we’ll have to keep an eye out on horror to come to track that.

What else can you expect from your January 2023 horror novels? Ghosts. Claustrophobia. Unreliable narrators. Haunted houses. Bad dreams. Dark memories. Dark gothic vibes. Ghost hunters. Monsters. Creepy hotels. Vampires. Fights for survival. These books include many of the horror tropes we’ve come to know and love. But there are plenty of surprises within these pages as well. What kind of surprises, you ask? You will have to read all eight of these January 2023 releases to find out!

Book censorship in school libraries continues to rise. A Texas school district pulled 41 titles from the shelves, including the Bible, to put them under further review. Missouri passed a bill that makes any text with “visual depictions” of “graphic material” illegal to have available in schools. This has caused the removal of many graphic novels. Some groups, like Moms for Liberty among others, have suggested giving books a rating system, like movies. Julia Rittenberg explains in depth why that won’t work. Kelly Jensen reports extensively every week on censorship news around the United States. Weekly, I check in about what is going on in an effort to stay informed for when the books in my library will inevitably be challenged and possibly banned. It’s important I stay apprised of the falsely named “culture wars” around book banning. 

This got me thinking: What would a school library look like if it didn’t have any books that could be considered offensive? What kind of books would be removed and what books would be safe to remain? 

Obviously, religious books would need to be removed so as not to offend observers of other religions and pacifists. More than that, many religious texts are full of “graphic material” deemed unfit for the shelves of a school library. In the Bible, there are instances of incest and polygamy. Both deeply inappropriate for children to read about. More than that, there are graphic descriptions of violence. One story in the Old Testament, for example, describes how a woman kills a man in his sleep by driving the stake of a tent through his temple, fixing him to the ground. This story directly follows an account of 10,000 warriors killing an entire people in battle, not sparing a single soul. Similarly, the Quran suggests that its followers capture any non-believers and kill them unless they pray to Allah, repenting, and pay Zakah a portion of their savings. 

Likewise, fantasy books would have no place in a school library. Most fantasy contains magic or some sort of witchcraft. Definitely not okay in case it offends those who don’t believe in magic or think that witchcraft is evil. These books often get violent, too. They can be full of epic battles, deception, and spies. There are dragons and quests. It’s inappropriate to suggest the existence of mythical beings or to encourage children to go on adventures that could cause them to question authority or learn about themselves. 

Inspiring young people to develop critical thinking skills is dangerous territory. If they start to think critically, then they might learn to disagree with what they’ve been taught. That offends innumerable parents, religious groups, authority figures, and educators. Better go ahead and take out all the coming-of-age stories and books about learning independence. This removes most young adult, middle grade, and children’s realistic fiction. 

At the start of a new year, I’m always hopeful — nay, overzealous and unhinged — about how many books I can actually read in the whole year. But it’s so much fun to flip the page, start brand-new, and dive right into the challenge! And when I get behind on my reading goals, reading challenges and readathons are a great way I make up some time and knock out a few of my reading goals. I also like to participate in readathons that will help expand my reading into more diverse and inclusive spaces. Focused readathons do just that — help readers spend time finding and reading books that broaden horizons and may not be at the top of bestseller lists but should be read widely all the same. 

Readathons happen all year long and are hosted all across the internet, from influencers and bloggers to big pop culture sites, like Pop Sugar’s annual reading challenge and Book Riot’s own Read Harder challenge. But if you’re looking for more readathons to try your hand at, there are plenty out there. 

Here are six readathons happening throughout 2023 to help you tackle your toppling TBR piles and stretch your reading goals to branch you out of your comfort zones.

The Unread Shelf Project Readathon (Yearlong 2023)

Whitney from the Unread Shelf Project hosts this annual readathon to help and encourage readers to tackle their existing TBR piles at home without adding to the stack. Featuring beautiful printables, lists, and challenges, this readathon is perfect for readers who have a giant backlog of books and are ready to do something about it.

Anyone can participate at any time, and with no set limits on number of books, types of books, or hours needed to complete, this is a great challenge to jump in at any time to tackle whatever reading goals you may have.

Paperbacks are the ideal book format for me. There’s no screen glare. There’s no figuring out how or where to store a dust jacket. There’s simply a flexible binding and cover that allow for folding and curling pages. I know — many of you likely flinched at the idea, and that’s fine. You can keep your books as pristine as you prefer. For me, I love giving my books a workout and putting them to use. As we settle in for the long cold season, I invite you, whatever your preference, to stock up on some new winter 2023 YA paperbacks. They’re perfect for your side table and for toting to your reading space and getting snuggly with.

Find below some of the most exciting YA paperbacks hitting shelves this winter. Because of the paper sourcing challenges still impacting publishing, some of these dates may shift or change, but this is the closest to accurate as possible, per publishing catalog information. Some of these books are paperback originals, meaning they’ll only ever release in paperback, while others are first releases in paperback of books that have already been published in hardcover. I’ve stuck to first books in a series only, so know there are additional paperback releases of series books that are not the start of those series. First titles in a series are marked with a *.

You’ll find something of every genre in this roundup, making your winter 2023 YA paperbacks a wealth of choices. Descriptions for the titles below come from Amazon because much as I wish I’d read all of them, I have not, and this is a sizable list. This is one of the rare times I do that, if only because of how lengthy the list is.

Note: you may need to toggle your view when you click the link to access the paperback edition.

Winter 2023 YA Paperback Releases

January

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For a while, I thought I was an expert at recognising by the cover alone if a book was a young adult novel or a novel for adults. Then, one day, I picked up an audiobook I was absolutely convinced was YA, but got to such steamy scenes, that I had to stop in my tracks to reevaluate everything I thought I knew about book covers. I learned my lesson.

Of course, while all this sounds like a mere lack of attention on my part – an assumption that all YA covers look one way while adult novel covers look another – it is interesting to note that I, like many others, often have a tendency to associate illustrated covers with YA, or with romance novels.

Our editor Kelly has written an excellent analysis on the illustrated cover trend in romance, and what that says about women’s interests, so you may want to read it as a thought-provoking addition to this quiz.

But onto the quiz! Because, after my steamy scene incident (which I consider a happy accident), I started to pay more attention to covers and learned to assume less and look for signs more. And I’ve been seeing some progress in my game of spotting YA vs Adult based on the cover alone.

Are you willing to test your own detecting senses?

On the two year anniversary of the day when right-wing terrorist radicals attempted to overthrow American democracy, it seems fitting to talk a little bit about the groups across the country working to ensure democracy remains a fundamental right for every single person in this country. We’re deep into the second year of seeing books by and about queer people and people of color being demeaned, belittled, and ripped from public library and school shelves, thanks to groups — and people affiliated with groups — like those who attended the insurrections. Anyone doing this work knows, of course, this isn’t about the books. It never has been and never will be, and no amount of pleading that these people read the books or spend any time in the classroom will change their minds. They’re part of a well-funded cult.

That said, this is the year people who are fighting for the rights of all demand to be heard.

Over the last year, several grassroots parental and professional anti-censorship groups have worked hard to have a voice in local, state, and national politics related to book banning. These include groups like Florida Freedom to Read Project (who’ve offered incredible tips on beginning a local anti-censorship group), the FREADom Fighters in Texas, Louisiana Citizens Against Censorship, North Hunterdon-Voorhees Intellectual Freedom Fighters (New Jersey), and Moms For Social Justice (Tennessee). This is but a tiny fraction of the groups out there doing the work to protect the freedom to read and intellectual freedom. Now is the time to not only find the other groups doing this work across the country but to share that information more broadly others who are ready to fight for the rights of all can do just that.

Like with the database of groups banning books shared here, this database will require input from those who are working toward anti-censorship goals. Moreover, it might include groups that have a wider scope than just ensuring books are not banned — groups like Defense of Democracy, Students Rights Coalition, PEN America, and EveryLibrary fall into this category.

If you’re part of one of these anti-censorship groups or know of one in your area, let’s hear about it. This database will not be shared publicly, as some of the questions will include personal information. But the list of anti-censorship groups, their locations, and their web presence (social media or websites) will be shared in the coming weeks to help connect people who are eager to join in the fight.