The 'poltergeist' that shocked the UK

The 'poltergeist' that shocked the UK

Why 1970s mystery The Enfield Poltergeist continues to disturb, decades on

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Klara Lidén at Galerie Neu

September 9 – October 7, 2023

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Doris Guo at VI, VII

September 15 – October 21, 2023

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Intimate images capturing star quality

Intimate images capturing star quality

Photographer Ellen von Unwerth talks burlesque, Britney and creating dreamworlds

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The women that Britain 'loved to hate'

The women that Britain 'loved to hate'

Why the wives and girlfriends of footballers hold such a fascination for Brits

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Lisa Jo at David Lewis

September 8 – October 21, 2023

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Yong Xiang Li at Deborah Schamoni

September 8 – October 28, 2023

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Josiane M.H. Pozi at Carlos/Ishikawa

September 21 – October 28, 2023

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Vivian Suter at House of Gaga

September 9 – October 28, 2023

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The murders erased from US history

The murders erased from US history

The shocking true story behind Scorsese's latest epic

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12 photos showing strength after loss

12 photos showing strength after loss

How Gideon Mendel is a 'deep witness' to loss through flooding and wildfires

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Troy Lamarr Chew II at Parker Gallery

September 9 – October 28, 2023

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Willem de Rooij at Galerie Thomas Schulte

September 14 – October 28, 2023

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The extraordinary influence of Madonna

The extraordinary influence of Madonna

How the Queen of Pop is finally celebrating her legacy, and showing her humanity

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Karla Kaplun at High Art

September 14 – October 15, 2023

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Tishan Hsu at Galerie Max Mayer

September 1 – October 21, 2023

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Get the best of the BBC in your inbox

Get the best of the BBC in your inbox

Our newsletter just got a lot more essential. Find out what you're missing.

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The 1968 image that shook the world

The 1968 image that shook the world

How a silent protest at the 1968 Olympics reverberated for years to come

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Yayoi Kusama Expresses “Deep Regret” For Anti-Black Statements Ahead of Exhibition at SFMOMA

Yayoi Kusama recently addressed her racist descriptions of Black people in several written works, including her 2003 autobiography Infinity Net, just before the opening of her latest exhibition at the San Francisco Museum of Art (SFMOMA).

“I deeply regret using hurtful and offensive language in my book,” the Japanese artist said in an exclusive statement to the San Francisco Chronicle supplied by the museum on Friday. “My message has always been one of love, hope, compassion, and respect for all people. My lifelong intention has been to lift up humanity through my art. I apologize for the pain I have caused.”

The museum’s choice to feature Kusama was criticized by Chronicle columnist Soleil Ho earlier this week. In an email statement to Ho, museum Director Christopher Bedford said that “SFMOMA stands firmly against these and all anti-Black sentiments.”

Bedford also told the Chronicle in a phone interview, “We can use this moment as a catalyst for a broader interrogation of what it means to present artists in our galleries.”

“I think it is a tremendous leadership opportunity for SFMOMA,” Bedford told the Chronicle, citing a series of public programs slated for early next year aimed at addressing the work of artists with “problematic histories.”

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Louvre Museum Evacuated After Bomb Threat

The Louvre Museum was evacuated on Saturday morning after receiving bomb threats. Alarms sounded throughout the museum as well as the underground shopping center beneath its iconic glass signature designed by architect I.M. Pei.

The Paris institution told the Associated Press that no one was hurt, no incident was reported, and police officers had searched the museum.

The museum’s website had a red banner which stated “For security reasons, the Musée du Louvre is closing its doors today, Saturday, October 14. Those who have booked a visit during the day will be reimbursed. Thank you for your understanding.” The same message was posted on the museum’s social media pages.

Earlier this year, the Louvre announced it would be limiting the number of daily visitors to 30,000 “in order to facilitate a comfortable visit and ensure optimal working conditions for museum staff”.

Prior to the pandemic, the Louvre could welcome up to 45,000 visitors each day, according to the Art Newspaper.

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