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(Spoiler alert: this article contains information and plot points from the first episode of The Exhibit.)
The Exhibit, a new six-episode docuseries created by the Hirshhorn Museum and Sculpture Garden and MTV officially kicking off tonight, will see seven American artists compete for a presentation at the institution and a $100,000 cash prize. But on tonight’s episode, before they even made any art, the contestants got to spend a night at the Hirshhorn, à la E.L. Konigsburg’s 1967 YA novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler, to gather inspiration for their upcoming challenge.
After operating hours, the group is shown wandering around the Hirshhorn’s galleries and immersed themselves in installations such as Mark Bradford’s Pickett’s Charge (2017), Laurie Anderson’s The Weather (2021), and Barbara Kruger’s Belief + Doubt (2012). You wouldn’t be blamed for thinking this was all a commercial for the Hirshhorn’s collection.
But this is technically a reality show, however, and pretty soon, a sense of rivalry begins to creep in. “What bothers me is some artists that are new on the scene, suddenly they’re in every art news magazine,” remarks artist Frank Buffalo Hyde, one of the contestants. “It’s super annoying.”
This remark is followed by another from Misha Kahn, who sets the scene for what’s to come. “Baseera [Khan] and Jillian [Mayer] are both troublemakers,” Kahn says, referring to two of the other contestants. “We’re the ones that do three-dimensional stuff. Immediately you sense a similar thing. And then the painters, who all seem so lovely, are maybe more proper reserved humans.”
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The longtime chief curator of the Orlando Museum of Art, Hansen Mulford, has quietly retired after 42 years without fanfare or even advanced notice to staff, according to local press.
Mulford’s retirement was first reported by the Orlando Sentinel, which noted that with it, the OMA’s top leaders during last year’s Basquiat scandal have all left the institution.
The former museum director, Aaron De Groft, was fired in June 2022 by the OMA board of trustees only days after the FBI seized a suite of paintings on display that were attributed to Basquiat. A FBI affidavit revealed that the works had been at the center of a nine-year-long investigation into their authenticity, and that the museum had been served a subpoena prior to the opening of the exhibition “Heroes & Monsters” in February 2022. Several former trustees have claimed that De Groft and the former board chair, Cynthia Brumback, withheld knowledge of the subpoena.
De Groft, who had vocally defended the works to the media, was replaced by interim director Luder Whitlock. A swift museum shakeup followed: Whitlock resigned after less than two months on the job, and two days after his departure, the board replaced Brumback as chair. Brumback had faced criticism from the Orlando community for her presumed failure to avert the scandal. She said in a statement in August that she had stepped down from her position to “focus on my business and my family.”
An internal announcement was issued by OMA interim chief operating officer, Joann Walfish, on the day of Mulford’s departure. “Today we are announcing the retirement of Chief Curator Hansen Mulford,” she wrote in the message. “We thank Hansen for over 40 years of service to the Orlando Museum of Art. Mulford’s last day as our Chief Curator was February 17.”
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